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Elia Kazan : the cinema of an American outsider

저자: Brian Neve
출판사: London ; New York : I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009.
판/형식:   전자도서 : 문서 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
In 1999, Elia Kazan (1909-2003) received an honorary Oscar for lifetime achievement; it was a controversial award, for in 1952 he had given testimony to the HUAC Committee, for which he was ostracized by many. That Oscar also acknowledged Kazan's remarkable contribution to American and world cinema, making such films as "On the Waterfront" and "A Streetcar Named Desire". Kazan's life in the cinema is due a  더 읽기…
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장르/형태: Electronic books
Criticism, interpretation, etc
추가적인 물리적 형식: Print version:
Neve, Brian.
Elia Kazan.
London ; New York : I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009
(DLC) 2009291609
(OCoLC)236120415
명시된 사람: Elia Kazan; Elia Kazan; Elia Kazan
자료 유형: 문서, 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: Brian Neve
ISBN: 9781441615930 1441615938 9780857712356 0857712357
OCLC 번호: 430210408
재생 노트: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
설명: 1 online resource (xi, 252 pages) : illustrations
세부사항: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
내용: Kazan at Twentieth Century-Fox --
New directions : A streetcar named Desire (1951) and Viva Zapata! (1952) --
Elia Kazan and the House Committee on Un-American Activities --
Filming On the waterfront (1954) --
Producer-director : East of Eden (1955) and Baby Doll (1956) --
Journeys in the American South --
Splendour in the grass (1961) and America America (1963) --
Into myself : The arrangement (1969) and after --
The last tycoon (1976) : a coda.
책임: Brian Neve.

초록:

In 1999, Elia Kazan (1909-2003) received an honorary Oscar for lifetime achievement; it was a controversial award, for in 1952 he had given testimony to the HUAC Committee, for which he was ostracized by many. That Oscar also acknowledged Kazan's remarkable contribution to American and world cinema, making such films as "On the Waterfront" and "A Streetcar Named Desire". Kazan's life in the cinema is due a reassessment, one that is presented expertly and gracefully by Brian Neve in this book, drawing on previously neglected and some hitherto untapped sources. Focussing in page.

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