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Elia Kazan : the cinema of an American outsider

作者: Brian Neve
出版商: London ; New York : I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009.
版本/格式:   電子書 : 文獻 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
In 1999, Elia Kazan (1909-2003) received an honorary Oscar for lifetime achievement; it was a controversial award, for in 1952 he had given testimony to the HUAC Committee, for which he was ostracized by many. That Oscar also acknowledged Kazan's remarkable contribution to American and world cinema, making such films as "On the Waterfront" and "A Streetcar Named Desire". Kazan's life in the cinema is due a  再讀一些...
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詳細書目

類型/形式: Electronic books
Criticism, interpretation, etc
其他的實體格式: Print version:
Neve, Brian.
Elia Kazan.
London ; New York : I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009
(DLC) 2009291609
(OCoLC)236120415
提及的人: Elia Kazan; Elia Kazan; Elia Kazan
資料類型: 文獻, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Brian Neve
ISBN: 9781441615930 1441615938 9780857712356 0857712357
OCLC系統控制編碼: 430210408
複製注釋: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (xi, 252 pages) : illustrations
詳述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
内容: Kazan at Twentieth Century-Fox --
New directions : A streetcar named Desire (1951) and Viva Zapata! (1952) --
Elia Kazan and the House Committee on Un-American Activities --
Filming On the waterfront (1954) --
Producer-director : East of Eden (1955) and Baby Doll (1956) --
Journeys in the American South --
Splendour in the grass (1961) and America America (1963) --
Into myself : The arrangement (1969) and after --
The last tycoon (1976) : a coda.
責任: Brian Neve.

摘要:

In 1999, Elia Kazan (1909-2003) received an honorary Oscar for lifetime achievement; it was a controversial award, for in 1952 he had given testimony to the HUAC Committee, for which he was ostracized by many. That Oscar also acknowledged Kazan's remarkable contribution to American and world cinema, making such films as "On the Waterfront" and "A Streetcar Named Desire". Kazan's life in the cinema is due a reassessment, one that is presented expertly and gracefully by Brian Neve in this book, drawing on previously neglected and some hitherto untapped sources. Focussing in page.

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