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Embodied philosophy in dance : Gaga and Ohad Naharin's movement research

Author: Einav Katan-Schmid
Publisher: London : Palgrave Macmillan, 2016.
Series: Performance philosophy.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
This book examines the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company and provides a comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach.
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Einav Katan-Schmid
ISBN: 9781137601865 1137601868
OCLC Number: 958936762
Description: 1 online resource.
Contents: Dedication; Acknowledgments; Contents; List of Figures; Part I: Embodied Philosophy in Dance: Introduction; Chapter 1: Dance and€Philosophy: Phrasing an€Entrance; 1 Dance; 2 Words; Chapter 2: Dance as€Embodied Philosophy; 1 Expressivity, Semblance, and€Actuality; 2 Dance as€Hermeneutical Experience; 3 Embodiment of€Meanings in€Dance; Chapter 3: Habitus, Embodied Knowledge, and€Physical Intelligence; 1 Exercising Habitus; 2 Beyond a€Procedural Technique; Chapter 4: Embodied Reflections; 1 The Effortlessness of€Thinking in€Movement; 2 Pragmatic Game of€Reasoning. Part II: The Sensual Emphasis of GagaChapter 5: "Float!"; 1 An€Experimental Point of€View; 2 The Sensual Emphasis in€Gaga; Chapter 6: Enacting Perception; 1 Sensations as€Sources within Perceptual Processes; 2 Perception as€Enactive Attunement; Chapter 7: Extending Perception; 1 Purposiveness without Purpose; 2 Perceiving Varieties; 3 A Free Game of€Imagination and€Understanding; Chapter 8: Dancing Metaphors; 1 Imagination within Perception; 2 The Abductive Logic of€Creation; 3 The Innovative Meaning of€a€Metaphorical Movement; Chapter 9: The Phenomenological Method of€Gaga. 1 From Embodied Knowledge to€Bodily Knowledge2 Coordination of€Body and€Mind; Part III: The Mental Emphasis of Gaga; Chapter 10: "Connect Effort into Pleasure!"; 1 An Experimental Point of€View; 2 The Mental Emphasis in€Gaga; Chapter 11: The Challenge of€a€Perceptual Gap between Body and€Mind; 1 Directing an€Image of€the€Body; 2 Directing an€Image of€Movement; 3 A Paranoiac Condition for€Knowledge; Chapter 12: The Involvement of€Psychology and€Physicality; 1 Bodily and€Mental Feelings; 2 Sensuality, Sensitivity, and€the€Act of€Sense Making. Chapter 13: Comprehending Emotions and€Directing a€Mood1 Emotions: Embodied Appraisals Charged with€Sense; 2 Emotions as€Sources within Embodied Reflection; 3 Mental and€Physical Procedures of€Attunement; Chapter 14: Intentionality and€the€Aesthetic Will; 1 Being Ready to€Perceive; 2 The Emergence of€a€Knowledgeable Will; Part IV: Gaga: Physical Practice of Intelligence; Chapter 15: Multitasking Inquiries; 1 An Experimental Point of€View; 2 The Practice of€Physical Intelligence in€Gaga; Chapter 16: Decision Making; 1 Precision of€Intentionality; 2 Aesthetic Judgments. Chapter 17: The Intelligible Form1 The Primacy of€Somatic Attention; 2 Living a€Form; Chapter 18: Rhythm: Synchronization of€Body and€Mind; 1 Feeling Rhythmic; 2 Being Groovy; Chapter 19: The Physical Practice of€Intelligence; 1 The Technique of€Facing Perceptual Challenges; 2 Habitual Growth and€the€Infinity of€Perception; 3 The Physical Habitus and€Its World of€Values; Part V: The Moving Forms of Dancing Gaga; Chapter 20: Bellus; 1 An Experimental Point of€View; 2 Moving Forms in€Dancing Gaga; Chapter 21: The Dancing Body as€a€Means of€Expression; 1 The Body as€a€Medium for€Perception.
Series Title: Performance philosophy.
Responsibility: Einav Katan.
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Abstract:

This book examines the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company and provides a comprehensive analysis of Gaga and Ohad Naharin's  Read more...

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