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Emerging playwrights. / The Negro Ensemble Company

Author: L Scott CaldwellSteve CarterGus EdwardsBruce GoldfadenGerald S KroneAll authors
Publisher: Albany, N.Y. : Bureau of Mass Communications, New York State Education Dept. ; New York, N.Y. : Distributed by Insight Media, [1979]
Edition/Format:   VHS video : VHS tape   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
Two programs focusing on the Negro Ensemble Company (NEC). In the first program, Lloyd Richards, Dean of the Yale Drama School speaks with playwright Steve Carter about the NEC and the work of a playwright. It includes a scene from Carter's play Eden performed by the NEC. Douglas Turner Ward, artistic director, discusses the history and philosophy of the company. In the second program, Richards interviews playwright  Read more...
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Details

Genre/Form: Educational/cultural works
Interviews
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: L Scott Caldwell; Steve Carter; Gus Edwards; Bruce Goldfaden; Gerald S Krone; Lloyd Richards; Douglas Turner Ward; University of the State of New York. Bureau of Mass Communications.; Negro Ensemble Company.
OCLC Number: 38138314
Credits: Writer, producer and editor, Bruce Goldfaden.
Description: 2 videocassettes (60 min.) : sd., col. ; 1/2 in.
Details: VHS format.
Other Titles: Steve Carter & Douglas Turner [Ward]
Gus Edwards
Responsibility: Bureau of Mass Communications, New York State Education Department.

Abstract:

Two programs focusing on the Negro Ensemble Company (NEC). In the first program, Lloyd Richards, Dean of the Yale Drama School speaks with playwright Steve Carter about the NEC and the work of a playwright. It includes a scene from Carter's play Eden performed by the NEC. Douglas Turner Ward, artistic director, discusses the history and philosophy of the company. In the second program, Richards interviews playwright Gus Edwards. Edwards discusses his career and the program includes scenes from his play Old Phantoms performed by the NEC. Also, other members of the artistic staff speak about the work and importance of the NEC to the growth of black theatre in America.

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