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Encounters with Rauschenberg : (a lavishly illustrated lecture)

作者: Leo Steinberg; Robert Rauschenberg; Solomon R. Guggenheim Museum.
出版商: Houston : Menil Collection ; Chicago, IL : University of Chicago Press, ©2000.
版本/格式:   Print book : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Leo Steinberg is the rare art historian who has known the pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he  再讀一些...
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詳細書目

類型/形式: Anecdotes
Criticism, interpretation, etc
提及的人: Robert Rauschenberg; Leo Steinberg; Robert Rauschenberg; Robert Rauschenberg; Leo Steinberg; Robert Rauschenberg; Leo Steinberg; Robert Rauschenberg; Leo Steinberg; Robert Rauschenberg
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Leo Steinberg; Robert Rauschenberg; Solomon R. Guggenheim Museum.
ISBN: 0226771822 9780226771823 0226771830 9780226771830
OCLC系統控制編碼: 42935789
注意: "The lecture was presented at the Solomon R. Guggenheim Museum, New York, (October 21, 1997) and, with revisions, for the Menil Collection, Houston, (May 7,1998), on the occasion of "Robert Rauschenbeerg: A Retrospective."
描述: vii, 75 pages : illustrations (chiefly color ; 25 cm
責任: Leo Steinberg.
更多資訊:

摘要:

In this survey of the career of Robert Rauschenberg, the author offers discussions of such challenging work as the "Erased de Kooning Drawing", "Bed", and "Monogram". Where his interpretations differ  再讀一些...

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    schema:reviewBody ""Leo Steinberg is the rare art historian who has known the pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg." "Steinberg offers in-depth discussions of such major challenges as the Erased de Kooning Drawing, Bed, and Monogram. Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own changes of mind over the years." "Steinberg warns against the modish interpretations that now load Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and the viewer more subtly intentioned."--Jacket." ;
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