omitir hasta el contenido
Ends of the earth : land art to 1974 Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

Ends of the earth : land art to 1974

Autor: Philipp Kaiser; Miwon Kwon; Museum of Contemporary Art (Los Angeles, Calif.)
Editorial: Los Angeles, California : The Museum of Contemporary Art, Los Angeles ; Munich, Germany ; London, United Kingdom ; New York, NY : Distributed by Prestel, [2012], ©2012.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"The fascinating and generously illustrated catalogue documents the history of Land art from its emergence during the early 1960s through 1974. A companion volume to the first large-scale exhibition on Land art, this book traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Ends of the Earth challenges many
Calificación:

basada en 1 calificación/es 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

 

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Género/Forma: Exhibition catalogs
Exhibitions
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Philipp Kaiser; Miwon Kwon; Museum of Contemporary Art (Los Angeles, Calif.)
ISBN: 9783791351940 379135194X
Número OCLC: 768166330
Notas: This publication accompanies the exhibition "Ends of the Earth: Land Art to 1974," organized by Philipp Kaiser and Miwon Kwon and presented at The Museum of Contemporary Art, Los Angeles, The Geffen Contemporary at MOCA, 1 April-30 July 2012.
Descripción: 263 pages : illustrations ; 25 cm
Contenido: Ends of the earth and back / Philipp Kaiser and Miwon Kwon --
Willoughby Sharp on the "earth art" exhibition at Cornell University, Ithaca, New York, 1969 --
Not sculpture. Along the way to land art / Jane McFadden ; Interview with Seth Siegelaub --
Elsewhere. Desert ends / Emily Eliza Scott ; Virginia Dwan on changing boundaries --
Media. Land art's multiple sites / Tom Holert ; Interview with Germano Celant --
Urban grounds. Earth beneath Detroit / Julian Myers ; Yona Fischer on barriers and connections --
Transatlantic crossings. The case of Munich, 1968-1972 / Julienne Lorz ; Laszlo Glozer on pure dirt, pure earth, pure land : a European perspective on the beginnings of land art.
Responsabilidad: organized by Philipp Kaiser and Miwon Kwon.
Más información:

Resumen:

This fascinating and generously illustrated catalogue documents the history of Land art from its emergence during the early 1960s through 1974.  Leer más

Reseñas

Reseñas editoriales

Resumen de la editorial

"Beautifully illustrated and thoughtfully designed." --Art Libraries Society of North America

 
Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.

Materiales similares

Temas relacionados:(5)

Listas de usuarios con este material (3)

Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Datos enlazados


<http://www.worldcat.org/oclc/768166330>
library:oclcnum"768166330"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/768166330>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
<http://viaf.org/viaf/142805637>
rdf:typeschema:Organization
schema:name"Museum of Contemporary Art (Los Angeles, Calif.)"
schema:contributor
schema:contributor
schema:copyrightYear"2012"
schema:datePublished"2012"
schema:description""This catalogue to accompany the museum exhibition traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Significantly, "Ends of the Earth" challenges many myths about Land art--that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Featuring over 100 artists hailing from countries including Great Britain, Germany, Iceland, Israel, Japan, the Netherlands, and the United States, the exhibition constitutes the most comprehensive survey of Land art to date"--"@en
schema:description""The fascinating and generously illustrated catalogue documents the history of Land art from its emergence during the early 1960s through 1974. A companion volume to the first large-scale exhibition on Land art, this book traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Ends of the Earth challenges many myths about Land art-that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Essays by leading young scholars will offer new insights into Land art's emergence, including its intrinsic connection to media, its dreams of an elsewhere, the attraction of wastelands, and the problems inherent in a historical evaluation of site-specific or ephemeral art. The book will also include a series of reflections from the major curators, critics, and dealers who helped to make Land art both as work and discourse in the 1960s and 1970s"--"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1060563338>
schema:genre"Exhibition catalogs"@en
schema:genre"Exhibition catalogs."@en
schema:image<http://www.netread.com/jcusers/1417/2540912/image/lgcover.3490115.jpg>
schema:inLanguage"en"
schema:name"Ends of the earth : land art to 1974"@en
schema:publisher
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.