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The enjoyment of photography

Author: Josephine PrydeAndré RottmannMelanie GilliganRhea AnastasKunstverein für die Rheinlande und Westfalen,All authors
Publisher: Bern : Kunsthalle Bern, [2015] ©2015
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
In photographic works that encompass the full range of the medium's historical and current genres, styles, and techniques, but also through sculpture and writing, the Berlin- and London-based artist Josephine Pryde (born 1967 in Alnwick, Northumberland, UK) offers incisive, often ironic, and provocative commentary on the values, hierarchies, and economies subtending the field of contemporary art against the backdrop  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Named Person: Josephine Pryde; Josephine Pryde; Josephine Pryde
Document Type: Book
All Authors / Contributors: Josephine Pryde; André Rottmann; Melanie Gilligan; Rhea Anastas; Kunstverein für die Rheinlande und Westfalen,; Kunsthalle Bern,
ISBN: 9783037644119 3037644117
OCLC Number: 907631346
Notes: "This publication appears subsequent to the exhibitions 'Miss Austen enjoys photography'...at Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 4 February-9 April, 2012, and 'Miss Austen still enjoys photography'...at Kunsthalle Bern, 9 June-12 August 2012."--Colophon.
Description: 275 pages : illustrations (chiefly color), portraits ; 28 cm
Responsibility: Josephine Pryde ; edited by André Rottmann ; with contributions by Melanie Gilligan and Rhea Anastas.

Abstract:

In photographic works that encompass the full range of the medium's historical and current genres, styles, and techniques, but also through sculpture and writing, the Berlin- and London-based artist Josephine Pryde (born 1967 in Alnwick, Northumberland, UK) offers incisive, often ironic, and provocative commentary on the values, hierarchies, and economies subtending the field of contemporary art against the backdrop of larger societal shifts. Estranging the familiar or conversely expressing the common in a radically unforeseen manner, Pryde's ingenuous choice of subject matter, unusual formal solutions and surprising juxtapositions continue to capture international exhibition audiences.

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