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Ėnt︠s︡iklopedicheskiĭ muzykalʹnyĭ slovarʹ

Author: I︠U︡riĭ Vsevolodovich Keldysh; B S Shteĭnpress; I M I︠A︡mpolʹskiĭ; Nicolas Slonimsky Collection (Library of Congress)
Publisher: Moskva : Gos. nauch. izd-vo "Bolʹshai︠a︡ sovetskai︠a︡ ėnt︠s︡iklopedii︠a︡, ", 1959.
Edition/Format:   Print book : RussianView all editions and formats
Summary:
"What is Holocaust literature? When does it begin and how is it changing? Is there an essential core of diaries, eyewitness accounts of the concentration camps, tales of individual survival in hiding? Is it the same everywhere: in the West as in the East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and sui generis, or can it be studied in the light of other literatures? What of  Read more...
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Genre/Form: Bio-bibliography
Dictionaries
Additional Physical Format: Online version:
Ėnt︠s︡iklopedicheskiĭ muzykalʹnyĭ slovarʹ.
Moskva : Gos. nauch. izd-vo "Bolʹshai︠a︡ sovetskai︠a︡ ėnt︠s︡iklopedii︠a︡," 1959
(OCoLC)593717608
Document Type: Book
All Authors / Contributors: I︠U︡riĭ Vsevolodovich Keldysh; B S Shteĭnpress; I M I︠A︡mpolʹskiĭ; Nicolas Slonimsky Collection (Library of Congress)
OCLC Number: 21789935
Notes: Includes partially revised articles from the Bolʹshai︠a︡ sovetskai︠a︡ ent︠s︡iklopedii︠a︡.
Errata slip inserted.
Description: 326 pages : illustrations, portraits, music ; 27 cm
Contents: What is Holocaust literature? --
Wartime writing in the free zone, 1938-45 --
Wartime writing in the Jew-zone, 1939-45 --
Communal memory, 1945-60 --
Provisional memory, 1960-85 --
Authorized memory, 1985-present --
Guide to the first hundred books.
Responsibility: otvetstvennyĭ redaktor G.V. Keldysh ; sostaviteli B.S. Shteĭnpress i I.M. I︠A︡mpolʹskiĭ.

Abstract:

"What is Holocaust literature? When does it begin and how is it changing? Is there an essential core of diaries, eyewitness accounts of the concentration camps, tales of individual survival in hiding? Is it the same everywhere: in the West as in the East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and sui generis, or can it be studied in the light of other literatures? What of the perpetrators and bystanders, the hidden children, the children of Holocaust survivors: Do they speak with the same authority? What works of Holocaust literature will be read a hundred years from now--and why? Here, for the first time and told from beginning to end, is an historical survey of Holocaust literature in all genres, countries, and major languages. Beginning in wartime, it proceeds from the literature of mobilization and mourning in the Free World to the vast and varied literature produced in the Nazi-occupied ghettos, the bunkers and places of hiding, the transit and concentrations camps. Within weeks of the liberation, in displaced persons camps, a new memorial and testamentary literature begins to take shape. Moving from Europe to Israel, the U.S., and beyond, the authors situate the writings by real and proxy witnesses within three distinct postwar periods: a period of "communal memory," still internal and internecine; a period of "provisional memory" in the '60s and '70s that witnesses the birth of a self-conscious Holocaust genre; to the period of "authorized memory" in which we live today, following the collapse of the Soviet Union (1989-91), and the opening of the US Holocaust Museum (1993). Twenty book covers - first editions in their original languages - and an eminently readable guide to the "first hundred books" together show the multilingual scope, historical depth, the moral and artistic range of this extraordinary body of writing."--Publisher's website.

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Linked Data


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