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Eric Rohmer, realist and moralist

Author: C G Crisp
Publisher: Bloomington : Indiana University Press, ©1988.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Here, for the first time in English, is a comprehensive analysis of Eric Rohmer's work. Rohmer, an influential figure in shaping postwar realist film theory, and later int he development of the French New Wave, has been largely ignored in film studies, while others of the New Wave movements such as Truffaut and Godard have received considerable attention. In this book, author C. G. Crisp thoroughly examines Rohmer's  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Crisp, C.G.
Eric Rohmer, realist and moralist.
Bloomington : Indiana University Press, ©1988
(OCoLC)569495311
Named Person: Éric Rohmer; Eric Rohmer; Éric Rohmer; Eric Rohmer; Rohmer, Eric <1920-> - Critique et interprétation.; Eric Rohmer
Document Type: Book
All Authors / Contributors: C G Crisp
ISBN: 0253319080 9780253319081 0253204739 9780253204738
OCLC Number: 16527993
Description: viii, 139 pages ; 24 cm
Contents: Style and ideology : Rohmer's critical writings --
Apprenticeship --
Form and ideology : the origins of the "Contes Moraux" --
La Collectionneuse --
Ma Nuit chez Maud --
Le Genou de Claire --
L'Amour l'aprés-midi --
La Marquise d'O... --
Perceval --
The comedies and proverbs --
The lack of a moral center.
Responsibility: C.G. Crisp.

Abstract:

Here, for the first time in English, is a comprehensive analysis of Eric Rohmer's work. Rohmer, an influential figure in shaping postwar realist film theory, and later int he development of the French New Wave, has been largely ignored in film studies, while others of the New Wave movements such as Truffaut and Godard have received considerable attention. In this book, author C. G. Crisp thoroughly examines Rohmer's films, performing structuralist, psychoanalytical, and ideological analyses of each. He further evaluates the connections between these films and Rohmer's realist film theory. Finally, Crisp's study situates Rohmer's work ideologically within the historical context of French cinema after World War II, and gives due recognition to the achievements of this director within the realms of film theory and filmmaking.

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