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Eric Rohmer's Film Theory : From École Scherer to Politique des Auteurs.

Author: Marco Grosoli
Publisher: Amsterdam : Amsterdam University Press, 2017.
Series: Film Theory in Media History Ser.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Grosoli, Marco
Eric Rohmer's Film Theory : From École Scherer to Politique des Auteurs
Amsterdam : Amsterdam University Press,c2017
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Marco Grosoli
ISBN: 9789048537037 9048537037
OCLC Number: 1042322259
Notes: Description based upon print version of record.
Description: 1 online resource (303 p.)
Contents: Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics --
and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names
Series Title: Film Theory in Media History Ser.

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