aller au contenu
Escaping the delta : Robert Johnson and the invention of the blues Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Escaping the delta : Robert Johnson and the invention of the blues

Auteur : Elijah Wald
Éditeur : New York : Amistad, ©2004.
Édition/format :   Livre : Biographie : Anglais : 1st edVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Robert Johnson's story presents a fascinating paradox: Why did this genius of the Delta blues excite so little interest when his records were first released in the 1930s? And how did this brilliant but obscure musician come to be hailed long after his death as the most important artist in early blues and a founding father of rock 'n' roll? Elijah Wald provides the first thorough examination of Johnson's work and  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Biography
Criticism, interpretation, etc
Biographies
Personne nommée : Robert Johnson; Robert Johnson; Robert (Musiker) Johnson; Robert Johnson
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Elijah Wald
ISBN : 0060524235 9780060524234
Numéro OCLC : 52334844
Description : xxvi, 342 p. ; 24 cm.
Contenu : Acknowledgments --
Introduction --
World that Johnson knew: What is blues? --
Race records: Blues queens, crooners, street singers, and hokum --
What the records missed --
Hollers, moans, and "deep blues" --
Mississippi Delta: Life and listening --
Robert Johnson: Life remembered --
Music --
First sessions, part one: Going for some hits --
First sessions, part two: Reaching back --
Second sessions: Professional --
Legacy --
Blues roll on: Jump shouters, smooth trios, and down-home soul --
blues cult: Primitive folk art and the roots of rock --
Farther on up the road: Wherefore and whither the blues --
Afterthought: So what about the devil? --
Appendix --
Notes --
Bibliography --
Index.
Responsabilité : Elijah Wald.
Plus d’informations :

Résumé :

Robert Johnson's story presents a fascinating paradox: Why did this genius of the Delta blues excite so little interest when his records were first released in the 1930s? And how did this brilliant but obscure musician come to be hailed long after his death as the most important artist in early blues and a founding father of rock 'n' roll? Elijah Wald provides the first thorough examination of Johnson's work and makes it the centerpiece for a fresh look at the entire history of the blues. He traces the music's rural folk roots but focuses on its evolution as a hot, hip African-American pop style, placing the great blues stars in their proper place as innovative popular artists during one of the most exciting periods in American music. He then goes on to explore how the image of the blues was reshaped by a world of generally white fans, with very different standards and dreams. The result is a view of the blues from the inside, based not only on recordings but also on the recollections of the musicians themselves, the African-American press, and original research. Wald presents previously unpublished studies of what people on Delta plantations were actually listening to during the blues era, showing the larger world in which Johnson's music was conceived. What emerges is a new respect and appreciation for the creators of what many consider to be America's deepest and most influential music.Wald also discusses how later fans formed a new view of the blues as haunting Delta folklore. While trying to separate fantasy from reality, he accepts that neither the simple history nor the romantic legend is the whole story. Each has its own fascinating history, and it is these twin histories that inform this book.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Tous les tags des utilisateurs (1)

Voir les tags les plus utilisés sous forme de : liste de tags | nuage de tags

Ouvrages semblables

Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/52334844>
library:oclcnum"52334844"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/52334844>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"1st ed."
schema:copyrightYear"2004"
schema:creator
schema:datePublished"2004"
schema:description"Robert Johnson's story presents a fascinating paradox: Why did this genius of the Delta blues excite so little interest when his records were first released in the 1930s? And how did this brilliant but obscure musician come to be hailed long after his death as the most important artist in early blues and a founding father of rock 'n' roll? Elijah Wald provides the first thorough examination of Johnson's work and makes it the centerpiece for a fresh look at the entire history of the blues. He traces the music's rural folk roots but focuses on its evolution as a hot, hip African-American pop style, placing the great blues stars in their proper place as innovative popular artists during one of the most exciting periods in American music. He then goes on to explore how the image of the blues was reshaped by a world of generally white fans, with very different standards and dreams. The result is a view of the blues from the inside, based not only on recordings but also on the recollections of the musicians themselves, the African-American press, and original research. Wald presents previously unpublished studies of what people on Delta plantations were actually listening to during the blues era, showing the larger world in which Johnson's music was conceived. What emerges is a new respect and appreciation for the creators of what many consider to be America's deepest and most influential music.Wald also discusses how later fans formed a new view of the blues as haunting Delta folklore. While trying to separate fantasy from reality, he accepts that neither the simple history nor the romantic legend is the whole story. Each has its own fascinating history, and it is these twin histories that inform this book."@en
schema:description"Acknowledgments -- Introduction -- World that Johnson knew: What is blues? -- Race records: Blues queens, crooners, street singers, and hokum -- What the records missed -- Hollers, moans, and "deep blues" -- Mississippi Delta: Life and listening -- Robert Johnson: Life remembered -- Music -- First sessions, part one: Going for some hits -- First sessions, part two: Reaching back -- Second sessions: Professional -- Legacy -- Blues roll on: Jump shouters, smooth trios, and down-home soul -- blues cult: Primitive folk art and the roots of rock -- Farther on up the road: Wherefore and whither the blues -- Afterthought: So what about the devil? -- Appendix -- Notes -- Bibliography -- Index."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/782421962>
schema:genre"Biography"@en
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Biography."@en
schema:inLanguage"en"
schema:name"Escaping the delta : Robert Johnson and the invention of the blues"@en
schema:numberOfPages"342"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.