doorgaan naar inhoud
Essay on the true art of playing keyboard instruments Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Essay on the true art of playing keyboard instruments

Auteur: Carl Philipp Emanuel Bach; William J Mitchell
Uitgever: New York : W.W. Norton & Company, [1949]
Editie/Formaat:   Print book : Engels : First editionAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:

Essay on the True Art of Playing Keyboard Instruments is a classic of musical literature in the true sense of the word.

Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: Early works
Early works to 1800
Soort document: Boek
Alle auteurs / medewerkers: Carl Philipp Emanuel Bach; William J Mitchell
ISBN: 0393097161 9780393097160
OCLC-nummer: 608283
Beschrijving: xiii, 449 pages : portrait, facsimiles, music ; 24 cm
Inhoud: Part I : 1. Fingering --
2. Embellishments : General ; The appoggiatura ; The trill ; The turn ; The mordent ; The compound appoggiatura ; The slide ; The snap ; The elaboration of fermate --
3. Performance --
Part II : 4. Intervals and their signatures --
5. Thorough bass : The triad (I) ; The triad (II) ; The chord of the sixth (I) ; The chord of the sixth (II) ; The diminished triad ; The augmented triad ; The six-four chord (I) ; The six-four chord (II) ; The four-three chord (I) ; The four-three chord (II) ; The six-five chord (I) ; The six-five chord (II) ; The chord of the second (I) ; The chord of the second (II) ; The five-two chord ; The five-four-two chord ; The three-two chord ; The chord of the seventh (I) ; The chord of the seventh (II) ; The seven-six chord ; The seven-four chord ; The chord of the major seventh (I) ; The chord of the major seventh (II) ; The chord of the ninth (I) ; The chord of the ninth (II) ; The nine-six chord ; The nine-four chord ; The nine-seven chord ; The five-four chord --
6. Accompaniment : The unison ; One-part accompaniment for the left hand ; The organ point ; Appoggiaturas ; Syncopated notes ; The dotted compound appoggiatura ; The dotted slide ; Performance ; Closing cadences ; The fermata ; Some refinements of accompaniment ; Imitation ; Some precautions of accompaniment ; The need for figured basses ; Passing tones ; Chords that precede their bass notes ; The recitative ; Changing notes ; Bass themes --
7. Improvisation : The free fantasia.
Andere titels: Versuch über die wahre Art das Clavier zu spielen.
Verantwoordelijkheid: by Carl Philipp Emanuel Bach ; translated and edited by William J. Mitchell, associate professor of music, Columbia University.
Meer informatie:

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/608283>
bgn:translationOfWork
library:oclcnum"608283"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"First edition."
schema:contributor
<http://viaf.org/viaf/101090471>
rdf:typeschema:Person
schema:birthDate"1906"
schema:deathDate"1971,"
schema:familyName"Mitchell"
schema:givenName"William J."
schema:name"Mitchell, William J. (William John), 1906-1971,"
schema:creator
<http://viaf.org/viaf/204566>
rdf:typeschema:Person
schema:birthDate"1714"
schema:deathDate"1788,"
schema:familyName"Bach"
schema:givenName"Carl Philipp Emanuel"
schema:name"Bach, Carl Philipp Emanuel, 1714-1788,"
schema:datePublished"1949"
schema:description"Part I : 1. Fingering -- 2. Embellishments : General ; The appoggiatura ; The trill ; The turn ; The mordent ; The compound appoggiatura ; The slide ; The snap ; The elaboration of fermate -- 3. Performance -- Part II : 4. Intervals and their signatures -- 5. Thorough bass : The triad (I) ; The triad (II) ; The chord of the sixth (I) ; The chord of the sixth (II) ; The diminished triad ; The augmented triad ; The six-four chord (I) ; The six-four chord (II) ; The four-three chord (I) ; The four-three chord (II) ; The six-five chord (I) ; The six-five chord (II) ; The chord of the second (I) ; The chord of the second (II) ; The five-two chord ; The five-four-two chord ; The three-two chord ; The chord of the seventh (I) ; The chord of the seventh (II) ; The seven-six chord ; The seven-four chord ; The chord of the major seventh (I) ; The chord of the major seventh (II) ; The chord of the ninth (I) ; The chord of the ninth (II) ; The nine-six chord ; The nine-four chord ; The nine-seven chord ; The five-four chord -- 6. Accompaniment : The unison ; One-part accompaniment for the left hand ; The organ point ; Appoggiaturas ; Syncopated notes ; The dotted compound appoggiatura ; The dotted slide ; Performance ; Closing cadences ; The fermata ; Some refinements of accompaniment ; Imitation ; Some precautions of accompaniment ; The need for figured basses ; Passing tones ; Chords that precede their bass notes ; The recitative ; Changing notes ; Bass themes -- 7. Improvisation : The free fantasia."@en
schema:exampleOfWork
<http://worldcat.org/entity/work/id/1081780186>
schema:name"Versuch über die wahre Art das Clavier zu spielen."
schema:genre"Early works"@en
schema:inLanguage"en"
schema:name"Essay on the true art of playing keyboard instruments"@en
schema:publication
schema:publisher
schema:workExample
wdrs:describedby

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.