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Essays of the 1960s & 70s

ผู้แต่ง: Susan Sontag; David Rieff
สำนักพิมพ์: New York, N.Y. : The Library of America, [2013] ©2013
ชุด: Library of America, 246.
ครั้งที่พิมพ์/รูปแบบ:   หนังสือ : Englishดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
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With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais,  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม American essays
History
ชื่อคน: Susan Sontag
ประเภทของเอกสาร: หนังสือ
ผู้เขียนทั้งหมด : ผู้เขียนร่วม Susan Sontag; David Rieff
ISBN: 9781598532555 1598532553
OCLC Number: 830367647
คำอธิบาย: viii, 875 pages ; 21 cm.
สารบัญ: Against interpretation and other essays (1966) --
Styles of radical will (1969) --
On photography (1977) --
Illness as metaphor (1978) --
Uncollected essays. William Burroughs and the novel --
The double standard of aging --
The third world of women --
Francis Bacon : "About being in pain" --
A woman's beauty : put-down or power source? --
Beauty : how will it change next?
หัวข้อชุด: Library of America, 246.
ชื่อเรื่องอื่น: Essays.
Essays of the 1960s and 1970s
Susan Sontag, essays of the 1960s and 70s
Sontag, essays of the 1960s & 70s
ความรับผิดชอบ Susan Sontag ; David Rieff, editor.
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With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E.M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag's son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement.

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