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Eudora Welty as photographer

Autor Eudora Welty; Pearl Amelia McHaney
Vydavatel: Jackson : University Press of Mississippi, ©2009.
Vydání/formát:   book_printbook : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
A centennial consideration of the great author's vision as expressed in her renowned photography, these forty-three photographs, taken in the 1930s and 1940s with three different cameras, illustrate both the formal and narrative skills of framing the world as only a great short story writer could. They show Eudora Welty (1909-2001) ardently pursuing an audience and honing her technique as she worked behind the lens.  Přečíst více...
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Detaily

Osoba: Eudora Welty; Eudora Welty; Eudora Welty
Typ materiálu: Internetový zdroj
Typ dokumentu: Book, Internet Resource
Všichni autoři/tvůrci: Eudora Welty; Pearl Amelia McHaney
ISBN: 9781604732320 1604732326
OCLC číslo: 253841747
Popis: viii, 96 pages : illustrations ; 22 cm
Obsahy: The observing eye / Pearl Amelia McHaney --
Photographs --
Eudora Welty and photography / Sandra Phillips --
Eudora Welty : the intrepid observer / Deborah Willis --
Chronology.
Odpovědnost: photographs by Eudora Welty ; edited by Pearl Amelia McHaney ; with contributions by Sandra S. Phillips and Deborah Willis.
Více informací:

Anotace:

A collection of photographs by renowned writer/photographer, Eudora Welty (1909-2001). It features forty-three photographs, taken in the 1930s and 1940s with three different cameras. It includes  Přečíst více...

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Propojená data


Primary Entity

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    schema:description "A centennial consideration of the great author's vision as expressed in her renowned photography, these forty-three photographs, taken in the 1930s and 1940s with three different cameras, illustrate both the formal and narrative skills of framing the world as only a great short story writer could. They show Eudora Welty (1909-2001) ardently pursuing an audience and honing her technique as she worked behind the lens. Considering light, design, texture, framing, and perspective, she experimented with composition. She tried different films, papers, and exposures, took shots from various angles and distances, and cropped and enlarged photographs in her kitchen darkroom. Then she waited until morning to discover what had been revealed. Paramount in this work are the photographs themselves. Only nine have been published previously. The accompanying essays describe Welty's developing aesthetic and her representations of the world as illustrated by the photographs. Welty took photographs of people, animals, patterns, shadows, and structures--natural and man-made--in Mississippi, Louisiana, New York, and North Carolina. The photographs are paired to contrast and complement, to surprise and suggest, and to please and provoke."@en ;
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