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Eva Hesse : a retrospective

Author: Helen A Cooper; Maurice Berger; Lesley K Baier; Yale University. Art Gallery.
Publisher: New Haven : Yale University Art Gallery : Yale University Press, 1992.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Eva Hesse (1936-1970) has long been recognized by artists and critics as a sculptor of exceptional talent and prodigious influence. The public has rarely seen her work, however, because its fragility has made it difficult to exhibit. This richly illustrated and critically interpretive book enables a wide audience to appreciate the magnitude of her achievement and the legacy of her art. Hesse was an expressionist in  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Catalogues
Named Person: Eva Hesse; Eva Hesse; Eva Hesse; Eva Hesse; Eva Hesse
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Helen A Cooper; Maurice Berger; Lesley K Baier; Yale University. Art Gallery.
ISBN: 0300054890 9780300054897 089467059X 9780894670596
OCLC Number: 25552605
Description: 253 pages : illustrations ; 31 cm
Contents: Eva Hesse : diaries and notebooks / Helen A. Cooper --
Chronology --
Getting to "ick" : to know what one is not / Linda Norden --
The wound and the self : Eva Hesse's breakthrough in Germany / Maria Kreutzer --
Do the wrong thing : Eva Hesse and the abstract grotesque / Robert Storr --
Eva Hesse : a "girl being a sculpture" / Anna C. Chave --
Objects of liberation : the sculpture of Eva Hesse / Maurice Berger.
Responsibility: exhibition and catalogue organized by Helen A. Cooper ; essays by Maurice Berger [and others] ; [edited by Lesley K. Baier].

Abstract:

An account of Hesse's life and work. It contains six essays which discuss: Hesse's early career in New York and her years as a student of Josef Albers; her work in Germany in the 1960s; her approach  Read more...

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    schema:description "Eva Hesse (1936-1970) has long been recognized by artists and critics as a sculptor of exceptional talent and prodigious influence. The public has rarely seen her work, however, because its fragility has made it difficult to exhibit. This richly illustrated and critically interpretive book enables a wide audience to appreciate the magnitude of her achievement and the legacy of her art. Hesse was an expressionist in an age of minimalism. Against the predominantly impersonal visual modes of the sixties, she insisted on the subjective qualities of her art. She opened up new frontiers in sculpture--in form, content, and material--and helped to change the way artists, critics, and viewers look at art. Hesse's career also coincided with the incubation period of modern feminism, and her art stands as a courageous and complex effort to articulate a female identity. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words. This beautiful book, which brings together Hesse's most important sculptures, reliefs, and her rarely seen drawings and early paintings, is the catalogue for an exhibition of Hesse's work that opens at the Yale University Art Gallery in April 1992 and travels to the Hirshhorn Museum in Washington, D.C."@en ;
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