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Every tub must sit on its own bottom : the philosophy and politics of Zora Neale Hurston

作者: Deborah G Plant
出版商: Urbana : University of Illinois Press, ©1995.
版本/格式:   Print book : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture. Instead, Plant calls Hurston a "writer of resistance" who challenged the politics of domination both in her life and in her work. One of the great geniuses of the Harlem
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類型/形式: Aufsatzsammlung
提及的人: Zora Neale Hurston; Zora Neale Hurston; Zora Neale Hurston; Zora Neale Hurston; Zora Neale Hurston; Zora Neale - Pensée politique et sociale Hurston; Zora Neale - Philosophie Hurston; Zora Neale Hurston
資料類型: 政府刊物, 州政府或者省政府刊物
文件類型: 圖書
所有的作者/貢獻者: Deborah G Plant
ISBN: 0252021835 9780252021831
OCLC系統控制編碼: 31783025
描述: x, 214 pages ; 24 cm
内容: Introduction: The reclamation of an intellectual life --
Metaphors of self, language, and the will-to-power --
"Every tub must sit on its own bottom": A philosophical world view --
African American folklore as style, theme, and strategy --
The folk preacher and folk sermon form --
Politics, parody, power, and Moses, man of the mountain --
Politics of self: Ambivalences, paradoxes, and ironies of race, color, sex, class, and gender --
Conclusion: The essence of owning oneself.
責任: Deborah G. Plant.

摘要:

In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture. Instead, Plant calls Hurston a "writer of resistance" who challenged the politics of domination both in her life and in her work. One of the great geniuses of the Harlem Renaissance, Hurston stands out as a strong voice for African American women. Her anthropological inquiries as well as her evocative prose provide today's readers with a rich history of African American folk culture - a folk culture through which Hurston expressed her personal and political strategy of resistance and self-empowerment.

Through readings of Hurston's fiction and autobiographical writings, Plant offers one of the first book-length discussions of Hurston's personal philosophy of individualism and self-reliance. From a discussion of Hurston's preacher father and influential mother, whose guiding philosophy is reflected in the title of this book, to the influence of Spinoza and Nietzsche, Plant puts into perspective the driving forces behind Hurston's powerful prose.

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