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Extended temporalities : transient visions in the museum and in art

Author: Alessandro Bordina; Vincenzo Estremo; Francesco Federici
Publisher: [Milan] : Mimesis International, [2016]
Series: Cinema (Mimesis (Firm))., Cinema and contemporary art ;, n. 3.
Edition/Format:   Print book : English
Summary:
"This book has been conceived from a series of speeches which took place during the Filmforum Festival of Udine and Gorizia whose main theme was the use of moving images in the space of contemporary art. The aim of this publication is to create a scientific framework of some of the most important artistic experiences: from the use of archive images to the newest participatory practices. The book consists of essays  Read more...
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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Alessandro Bordina; Vincenzo Estremo; Francesco Federici
ISBN: 9788869770517 8869770516
OCLC Number: 942839726
Language Note: Texts in English with one text in French.
Notes: Published on the occasion of 14th Filmforum held in Udine, Italy, and Gorizia, Italy, March 9-15, 2016.
Description: 208 pages : illustrations ; 21 cm.
Contents: The question of temporalities and fragmented vision / Alessandro Bordina, Vincenzo Estremo, Francesco Federici --
Cinema, museum, and the art of projection / Giuliana Bruno --
Le cinéma exposé: essai de catégorisation / Philippe Dubois --
Conceptualising the cinematic in contemporary art / Maeve Connolly --
Cheiropoiesis: film and obsolescence after indexicality / Erika Balsom --
Undefined temporalities / Francesco Federici --
The three little pigs / Vincenzo Estremo --
Documentary fictions in Pierre Huyghe's Streamside Day Follies / Sarah Durcan --
Repeat your concept / Marco Senaldi --
Péter Forgács' Col Tempo / Stefania Schibeci.
Series Title: Cinema (Mimesis (Firm))., Cinema and contemporary art ;, n. 3.
Responsibility: edited by Alessandro Bordina, Vincenzo Estremo, Francesco Federici.
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Abstract:

"This book has been conceived from a series of speeches which took place during the Filmforum Festival of Udine and Gorizia whose main theme was the use of moving images in the space of contemporary art. The aim of this publication is to create a scientific framework of some of the most important artistic experiences: from the use of archive images to the newest participatory practices. The book consists of essays selected during the Filmforum Festival and the MAGIS International Film Studies Spring School and texts from invited researchers. It examines the ways in which the transient qualities of time have been used in contemporary moving images production and in their display."

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