コンテンツへ移動
Eyesight alone : Clement Greenberg's modernism and the bureaucratization of the senses 資料のプレビュー
閉じる資料のプレビュー
確認中…

Eyesight alone : Clement Greenberg's modernism and the bureaucratization of the senses

著者: Caroline A Jones
出版: Chicago : University of Chicago Press, 2005.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オンラインで入手

この資料へのリンク

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: History
関連の人物: Clement Greenberg; Clément Greenberg; Clement Greenberg; Clement Greenberg; Clement Greenberg
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Caroline A Jones
ISBN: 0226409511 9780226409511 0226409538 9780226409535
OCLC No.: 57514930
物理形態: xxix, 553 p., [16] p. of plates : ill. (some col.) ; 27 cm.
コンテンツ: Becoming Greenberg --
Formalism --
Abstraction --
Sweating out Cubism --
Customs inspector (Greenberg's Pollock, pt. 1) --
Eyes in the heat (Greenberg's Pollock, pt. 2) --
Tyranny of the eye --
Postmodernism's Greenberg --
The modernist sensorium.
責任者: Caroline A. Jones.
その他の情報:

概要:

One of the most influential and provocative art critics of the twentieth century, Clement Greenberg propelled abstract expressionist painting - in particular the monumental work of Jackson Pollock -  続きを読む

レビュー

編集者のレビュー

出版社によるあらすじ

"Rewarding.... The hundred pages Caroline A. Jones spends analyzing Greenberg's writings on Pollock - minutely sifting the critic's words through her own searching reexamination of the paintings he 続きを読む

 
ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/57514930>
library:oclcnum"57514930"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2009113374>
rdf:typeschema:Intangible
schema:name"Art criticism--United States--History--20th century."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2005"
schema:description"Becoming Greenberg -- Formalism -- Abstraction -- Sweating out Cubism -- Customs inspector (Greenberg's Pollock, pt. 1) -- Eyes in the heat (Greenberg's Pollock, pt. 2) -- Tyranny of the eye -- Postmodernism's Greenberg -- The modernist sensorium."@en
schema:description"Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"--The idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity.--Publisher description."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/891917106>
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Eyesight alone : Clement Greenberg's modernism and the bureaucratization of the senses"@en
schema:numberOfPages"553"
schema:publication
schema:publisher
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA528639>
wdrs:describedby

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.