doorgaan naar inhoud
Eyesight alone : Clement Greenberg's modernism and the bureaucratization of the senses Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Eyesight alone : Clement Greenberg's modernism and the bureaucratization of the senses

Auteur: Caroline A Jones
Uitgever: Chicago : University of Chicago Press, 2005.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een online exemplaar

Links naar dit item

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: History
Genoemd persoon: Clement Greenberg; Clément Greenberg; Clement Greenberg; Clement Greenberg; Clement Greenberg
Genre: Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Caroline A Jones
ISBN: 0226409511 9780226409511 0226409538 9780226409535
OCLC-nummer: 57514930
Beschrijving: xxix, 553 p., [16] p. of plates : ill. (some col.) ; 27 cm.
Inhoud: Becoming Greenberg --
Formalism --
Abstraction --
Sweating out Cubism --
Customs inspector (Greenberg's Pollock, pt. 1) --
Eyes in the heat (Greenberg's Pollock, pt. 2) --
Tyranny of the eye --
Postmodernism's Greenberg --
The modernist sensorium.
Verantwoordelijkheid: Caroline A. Jones.
Meer informatie:

Fragment:

One of the most influential and provocative art critics of the twentieth century, Clement Greenberg propelled abstract expressionist painting - in particular the monumental work of Jackson Pollock -  Meer lezen...

Beoordelingen

Professionele beoordelingen

Synopsis uitgever

"Rewarding.... The hundred pages Caroline A. Jones spends analyzing Greenberg's writings on Pollock - minutely sifting the critic's words through her own searching reexamination of the paintings he Meer lezen...

 
Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/57514930>
library:oclcnum"57514930"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2009113374>
rdf:typeschema:Intangible
schema:name"Art criticism--United States--History--20th century."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2005"
schema:description"Becoming Greenberg -- Formalism -- Abstraction -- Sweating out Cubism -- Customs inspector (Greenberg's Pollock, pt. 1) -- Eyes in the heat (Greenberg's Pollock, pt. 2) -- Tyranny of the eye -- Postmodernism's Greenberg -- The modernist sensorium."@en
schema:description"Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"--The idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity.--Publisher description."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/891917106>
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Eyesight alone : Clement Greenberg's modernism and the bureaucratization of the senses"@en
schema:numberOfPages"553"
schema:publication
schema:publisher
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA528639>
wdrs:describedby

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.