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Ezra Pound and America

Author: Jacqueline Kaye
Publisher: New York : St. Martin's Press, 1992.
Edition/Format:   Print book : Conference publication : EnglishView all editions and formats
Summary:
This is a collection of essays on The Cantos by Poundian scholars of international standing. Their wide variety of approaches to Pound contain much new material and raise fundamental issues for a more accurate and richer appreciation of Pound's work. This collection brings together many contrasting and stimulating analyses of The Cantos and will be of interest to all who wish to increase their knowledge of Pound's  Read more...
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Genre/Form: Conference papers and proceedings
Congresses
Named Person: Ezra Pound; Ezra Pound; Ezra Pound; Ezra Pound
Material Type: Conference publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Jacqueline Kaye
ISBN: 0312068328 9780312068325
OCLC Number: 24067576
Notes: Papers presented at the 13th conference, "Pound and America", held at the University of Essex, Sept. 1989.
Description: xii, 203 pages ; 23 cm
Contents: Some additions an corrections to Ezra Pound e la scienza / Maria Luisa Ardizzone --
'God, my god, you folks are DUMB!!!' / L.S.C. Bristow --
Eidolon self / Angela Elliott --
Americanus natione non moribus / Peter Makin --
Composition in the Adams Cantos / A.D. Moody --
Ezra Pound in his time / Eric Mottram --
Revolutionary figures in Canto XXXI / Nick Selby --
Reconstructing Ezra Pound's Cantos / Richard Taylor --
'That great year epic' / Demetres P. Tryphonopoulos --
Ezra Pound, Bronson cutting and American issues, 1930-5 / E.P. Walkiewicz and Hugh Witemeyer --
Pound's American revolutions / Stephen Wilson.
Responsibility: edited by Jacqueline Kaye.

Abstract:

This is a collection of essays on The Cantos by Poundian scholars of international standing. Their wide variety of approaches to Pound contain much new material and raise fundamental issues for a more accurate and richer appreciation of Pound's work. This collection brings together many contrasting and stimulating analyses of The Cantos and will be of interest to all who wish to increase their knowledge of Pound's poetry.

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