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Ezra Pound, popular genres, and the discourse of culture
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Ezra Pound, popular genres, and the discourse of culture

Auteur : Michael Coyle
Éditeur : University Park, Pa. : Pennsylvania State University Press, ©1995.
Édition/format :  Livre : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et les formats
Résumé :
In 1917, having begun the long poem that would prove his life's work, Ezra Pound affirmed that "the ultimate goal of scholarship is popularization." Few scholars subsequently have noticed this aim without finding it merely ironic or dismissing it as an early foible. Yet, as Michael Coyle demonstrates, Pound made similar assertions throughout his career, and his affirmation informs most of his work, including the  Lire la suite...
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Détails

Format physique additionnel : Online version:
Coyle, Michael, 1957-
Ezra Pound, popular genres, and the discourse of culture.
University Park, Pa. : Pennsylvania State University Press, c1995
(OCoLC)623488992
Personne nommée : Ezra Pound; Ezra Pound; Ezra Pound; Ezra Pound; Pound, Ezra <1885-1972> - Critique et interprétation.
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état
Format : Livre
Tous les auteurs / collaborateurs : Michael Coyle
ISBN : 0271014210 9780271014210
Numéro OCLC : 31078841
Description : x, 256 p. : ill. ; 24 cm.
Contenu : 1. The Frontiers of Criticism and the Circumscription of Ol' Ez --
2. "A Profounder Didacticism": Ruskin, Orage, and Pound's Vision of Cultural Totality --
3. Epic Inclusiveness and the Innovations of Eleven New Cantos --
4. Popularizing Primers and the Discourse of Culture --
5. Unpacking Munch's Satchel: Musical Notation and the Defiance of Pisan Cantos --
6. "These are the Histories, OR": Narrative in the Benton Cantos of Section: Rock-Drill --
7. "Nummulary Moving Toward Prosody": The Del Mar Cantos of Thrones --
8. E Basta.
Responsabilité : Michael Coyle.

Résumé :

In 1917, having begun the long poem that would prove his life's work, Ezra Pound affirmed that "the ultimate goal of scholarship is popularization." Few scholars subsequently have noticed this aim without finding it merely ironic or dismissing it as an early foible. Yet, as Michael Coyle demonstrates, Pound made similar assertions throughout his career, and his affirmation informs most of his work, including the Cantos. Coyle begins by examining T. S. Eliot's editorial work on the collection he called, over Pound's objections, Literary Essays of Ezra Pound. He then discusses a wide variety of discursive and generic combinations, explaining how Pound was led to attempt them and how those combinations affected his broadest ambitions. By establishing that literature itself is a historically privileged grouping of genres, Coyle makes possible a new understanding of how and why Pound mixed literary and nonliterary, popular and polite, genres.

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