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The faiths of Oscar Wilde : Catholicism, folklore and Ireland

Autor: Jarlath Killeen
Editorial: Basingstoke [England] ; New York : Palgrave Macmillan, 2005.
Serie: Palgrave studies in nineteenth-century writing and culture.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"This energetic and original book examines in detail the relationship between faith, theology, religious history and national politics in the major writings of Oscar Wilde. It focuses in particular on Wilde's lifelong attraction to Catholicism, an attraction originating in his time spent as a boy in the west of Ireland. Killeen also closely examines the influence of Wilde's Protestant heritage on his work: his  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
History
Persona designada: Oscar Wilde; Oscar Wilde; Oscar Wilde; Oscar Wilde; Oscar Wilde; Oscar Wilde
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Jarlath Killeen
ISBN: 1403948941 9781403948946
Número OCLC: 60543165
Descripción: xi, 228 pages ; 23 cm.
Contenido: Child and man : the development of a Catholic mind --
Faith and reason : the Bible, the Catholic church and Wilde's scandalous writings --
Body and soul : nature, the host and folklore in The picture of Dorian Gray --
Religion and politics : Wilde's social philosophy --
Art and life : the politics of ritualism in The importance of being Earnest --
Realism and romance : between Protestantism and Catholicism in Wilde's final writings.
Título de la serie: Palgrave studies in nineteenth-century writing and culture.
Responsabilidad: Jarlath Killeen.
Más información:

Resumen:

"This energetic and original book examines in detail the relationship between faith, theology, religious history and national politics in the major writings of Oscar Wilde. It focuses in particular on Wilde's lifelong attraction to Catholicism, an attraction originating in his time spent as a boy in the west of Ireland. Killeen also closely examines the influence of Wilde's Protestant heritage on his work: his antagonism towards this heritage is closely related to the narrative modes he chose to work in, and the aesthetic philosophy he espoused. Overall, the book demonstrates how Wilde combined his religious leanings with a reconfiguration of Nationalism, while an Irish 'exile' in London. For Wilde, Catholicism and Irish Nationalism were interdependent projects that operated as the fields of force energising his writing. Providing an entirely fresh critical perspective on his writing (including The Picture of Dorian Gray, The Importance of Being Earnest), this new study will be of interest to all students and scholars of Wilde."--Jacket.

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