passa ai contenuti
Faking it : manipulated photography before Photoshop Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Faking it : manipulated photography before Photoshop

Autore: Mia Fineman; Metropolitan Museum of Art (New York, N.Y.); National Gallery of Art (U.S.); Museum of Fine Arts, Houston.
Editore: New York : Metropolitan Museum of Art ; New Haven : Distributed by Yale University Press, ©2012.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It",  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Exhibition catalogs
Exhibitions
Tipo documento: Book
Tutti gli autori / Collaboratori: Mia Fineman; Metropolitan Museum of Art (New York, N.Y.); National Gallery of Art (U.S.); Museum of Fine Arts, Houston.
ISBN: 9781588394736 1588394735 9780300185010 0300185014
Numero OCLC: 797975278
Note: This catalogue is published in conjunction with Faking It: Manipulated Photography before Photoshop, on view at The Metropolitan Museum of Art, New York, from October 11, 2012, through January 27, 2013; at The National Gallery of Art, Washington, D.C., from February 17 through May 5, 2013; and at The Museum of Fine Arts, Houston from June 2 through August 25, 2013.
Descrizione: xvi, 280 pages : illustrations (some color) ; 28 cm
Contenuti: Director's foreword --
Sponsor's statement --
Lenders to the exhibition --
Introduction --
Picture perfect --
Artifice in the name of art --
Politics and persuasion --
Novelties and amusements --
Pictures in print --
Mind's eye --
Protoshop --
Discussions of individual works --
Glossary of technical terms.
Responsabilità: Mia Fineman.

Abstract:

An illuminating investigation of photographic manipulation, from the earliest years of the medium to 1990, which explores the techniques and motives behind the altered images  Per saperne di più…

Commenti

Recensioni editoriali

Sinossi editore

"Brilliant, exhaustive...extraordinary."-BOMB BOMB "As 'Faking It: Manipulated Photography Before Photoshop'-curator Mia Fineman's illuminating book ...shows us, the habit of aggressively adjusting Per saperne di più…

 
Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Le etichette di tutti gli utenti (1)

Vedi le etichette più popolari come: lista di etichette | nuvola di etichette

Documenti simili

Soggetti correlati:(8)

Liste di utenti con questo documento (9)

Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/797975278>
library:oclcnum"797975278"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:contributor
<http://viaf.org/viaf/126238294>
rdf:typeschema:Organization
schema:name"Metropolitan Museum of Art (New York, N.Y.)"
schema:contributor
schema:copyrightYear"2012"
schema:creator
schema:datePublished"2012"
schema:description"Director's foreword -- Sponsor's statement -- Lenders to the exhibition -- Introduction -- Picture perfect -- Artifice in the name of art -- Politics and persuasion -- Novelties and amusements -- Pictures in print -- Mind's eye -- Protoshop -- Discussions of individual works -- Glossary of technical terms."@en
schema:description""It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1122844609>
schema:genre"Exhibition catalogs"@en
schema:inLanguage"en"
schema:name"Faking it : manipulated photography before Photoshop"@en
schema:publication
schema:publisher
schema:publisher
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBB261744>
wdrs:describedby

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.