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A familiar strangeness : American fiction and the language of photography, 1839-1945

Author: Stuart Burrows
Publisher: Athens : University of Georgia Press, ©2008.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
"Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history
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Genre/Form: Criticism, interpretation, etc
Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Stuart Burrows
ISBN: 9780820331744 0820331740
OCLC Number: 213407377
Description: xii, 287 pages ; 24 cm
Contents: Introduction. "Likeness men" : fiction and photography --
1. Nature herself : Hawthorne's self-representation --
2. Resembling oneself : James's photographic types --
3. Vanishing race : Faulkner's photographic face --
4. "Seeing myself like somebody else" : Hurston's similarities --
Conclusion. Likeness has ceased to be of any help : fiction and film.
Responsibility: Stuart Burrows.
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Abstract:

Gives an account of the relationship between American literature and photography. This book challenges the notion of an absolute break between nineteenth-century realism and twentieth-century  Read more...

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"Burrows's "A Familiar Strangeness" makes visible and intelligible how the photographic image and the image of photography work and work together in later nineteenth- and earlier twentieth-century Read more...

 
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schema:description""Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction."@en
schema:description"A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible."--Pub. desc."@en
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schema:description"Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself."@en
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