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Fascist modernism : aesthetics, politics, and the avant-garde

Autor: Andrew Hewitt
Editorial: Stanford, Calif. : Stanford University Press, ©1993.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
What was it about fascism that made the movement, in its various forms, so attractive and exciting to such writers and artists as Wyndham Lewis, Ezra Pound, and Celine, among others? Using as a focal point the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author examines the points of contact between a 'progressive' aesthetic  Leer más
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Detalles

Persona designada: F T Marinetti; Filippo Tommaso Marinetti; F T Marinetti; Filippo Tommaso Marinetti
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Andrew Hewitt
ISBN: 0804721173 9780804721172 0804726973 9780804726979
Número OCLC: 26360865
Descripción: 222 pages ; 22 cm
Responsabilidad: Andrew Hewitt.
Más información:

Resumen:

What was it about fascism that made the movement, in its various forms, so attractive and exciting to such writers and artists as Wyndham Lewis, Ezra Pound, and Celine, among others? This book  Leer más

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"An exciting and original discussion of the relationship between aesthetic modernism and political fascism. Hewitt draws productively from various theoretical sources - Benjamin, Derrida, Lyotard, Leer más

 
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schema:description"What was it about fascism that made the movement, in its various forms, so attractive and exciting to such writers and artists as Wyndham Lewis, Ezra Pound, and Celine, among others? Using as a focal point the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author examines the points of contact between a 'progressive' aesthetic practice and a 'reactionary' political ideology. The book begins by unfolding the history of the avant-garde and concludes by re-examining some of Marinetti's assertions in the light of the postmodernism debate, attempting to understand the ways in which the debate is framed by the demise of both fascism and the avant-garde in their most fully developed historical forms. Throughout, the book is enriched with close readings of a range of (often marginalised) avant-garde texts."@en
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