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Fascist modernism : aesthetics, politics, and the avant-garde

Auteur : Andrew Hewitt
Éditeur : Stanford, Calif. : Stanford University Press, ©1993.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
What was it about fascism that made the movement, in its various forms, so attractive and exciting to such writers and artists as Wyndham Lewis, Ezra Pound, and Celine, among others? Using as a focal point the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author examines the points of contact between a 'progressive' aesthetic  Lire la suite...
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Détails

Personne nommée : F T Marinetti; Filippo Tommaso Marinetti; F T Marinetti
Format : Livre
Tous les auteurs / collaborateurs : Andrew Hewitt
ISBN : 0804721173 9780804721172 0804726973 9780804726979
Numéro OCLC : 26360865
Description : 222 p. ; 22 cm.
Responsabilité : Andrew Hewitt.
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Résumé :

What was it about fascism that made the movement, in its various forms, so attractive and exciting to such writers and artists as Wyndham Lewis, Ezra Pound, and Celine, among others? Using as a focal point the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author examines the points of contact between a 'progressive' aesthetic practice and a 'reactionary' political ideology. The book begins by unfolding the history of the avant-garde and concludes by re-examining some of Marinetti's assertions in the light of the postmodernism debate, attempting to understand the ways in which the debate is framed by the demise of both fascism and the avant-garde in their most fully developed historical forms. Throughout, the book is enriched with close readings of a range of (often marginalised) avant-garde texts.

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Données liées


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