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Faulkner : masks and metaphors Titelvorschau
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Faulkner : masks and metaphors

Verfasser/in: Lothar Hönnighausen
Verlag: Jackson : University Press of Mississippi, ©1997.
Ausgabe/Format   E-Book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of  Weiterlesen…
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Details

Gattung/Form: Electronic books
Physisches Format Print version:
Hönnighausen, Lothar.
Faulkner.
Jackson : University Press of Mississippi, ©1997
(DLC) 97006952
(OCoLC)36461685
Name: William Faulkner; William Faulkner; William Faulkner
Medientyp: Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Lothar Hönnighausen
ISBN: 0585034028 9780585034027
OCLC-Nummer: 42330166
Fußnote zur Reproduktion Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Beschreibung: 1 online resource (xiv, 311 pages) : illustrations
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Verfasserangabe: Lothar Hönnighausen.

Abstract:

That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing. Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "t.

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