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Faulkner : masks and metaphors

Auteur : Lothar Hönnighausen
Éditeur : Jackson : University Press of Mississippi, ©1997.
Édition/format :   Livre électronique : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of  Lire la suite...
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Détails

Genre/forme : Electronic books
Format – détails additionnels : Print version:
Hönnighausen, Lothar.
Faulkner.
Jackson : University Press of Mississippi, ©1997
(DLC) 97006952
(OCoLC)36461685
Personne nommée : William Faulkner; William Faulkner; William Faulkner; William Faulkner
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Lothar Hönnighausen
ISBN : 0585034028 9780585034027
Numéro OCLC : 42330166
Notes de reproduction : Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description : 1 online resource (xiv, 311 pages) : illustrations
Détails : Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Responsabilité : Lothar Hönnighausen.

Résumé :

That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing. Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "t.

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