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Faulkner : masks and metaphors

Autore: Lothar Hönnighausen
Editore: Jackson : University Press of Mississippi, ©1997.
Edizione/Formato:   eBook : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of  Per saperne di più…
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Dettagli

Genere/forma: Electronic books
Informazioni aggiuntive sul formato: Print version:
Hönnighausen, Lothar.
Faulkner.
Jackson : University Press of Mississippi, ©1997
(DLC) 97006952
(OCoLC)36461685
Persona incaricata: William Faulkner; William Faulkner; William Faulkner; William Faulkner
Tipo materiale: Government publication, State or province government publication, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Lothar Hönnighausen
ISBN: 0585034028 9780585034027
Numero OCLC: 42330166
Note di riproduzione: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Descrizione: 1 online resource (xiv, 311 pages) : illustrations
Dettagli: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Responsabilità: Lothar Hönnighausen.

Abstract:

That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing. Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "t.

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