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Faulkner : masks and metaphors

Auteur: Lothar Hönnighausen
Uitgever: Jackson : University Press of Mississippi, ©1997.
Editie/Formaat:   eBoek : Deelstaats- of provinciale overheidsuitgave : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of  Meer lezen...
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Details

Genre/Vorm: Electronic books
Aanvullende fysieke materiaalsoort: Print version:
Hönnighausen, Lothar.
Faulkner.
Jackson : University Press of Mississippi, ©1997
(DLC) 97006952
(OCoLC)36461685
Genoemd persoon: William Faulkner; William Faulkner; William Faulkner; William Faulkner
Genre: Overheidsuitgave, Deelstaats- of provinciale overheidsuitgave, Internetbron
Soort document: Internetbron, Computerbestand
Alle auteurs / medewerkers: Lothar Hönnighausen
ISBN: 0585034028 9780585034027
OCLC-nummer: 42330166
Mededeling reproductie: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Beschrijving: 1 online resource (xiv, 311 pages) : illustrations
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Verantwoordelijkheid: Lothar Hönnighausen.

Fragment:

That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing. Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "t.

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