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Faulkner : masks and metaphors

Autor: Lothar Hönnighausen
Editora: Jackson : University Press of Mississippi, ©1997.
Edição/Formato   e-book : Publicação de governo estadual ou província : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of  Ler mais...
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Detalhes

Gênero/Forma: Electronic books
Formato Físico Adicional: Print version:
Hönnighausen, Lothar.
Faulkner.
Jackson : University Press of Mississippi, ©1997
(DLC) 97006952
(OCoLC)36461685
Pessoa Denominada: William Faulkner; William Faulkner; William Faulkner; William Faulkner
Tipo de Material: Publicação do governo, Publicação de governo estadual ou província, Recurso Internet
Tipo de Documento: Recurso Internet, Arquivo de Computador
Todos os Autores / Contribuintes: Lothar Hönnighausen
ISBN: 0585034028 9780585034027
Número OCLC: 42330166
Notas de Reprodução: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Descrição: 1 online resource (xiv, 311 pages) : illustrations
Detalhes: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Responsabilidade: Lothar Hönnighausen.

Resumo:

That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. They have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained, with psychopathological imposture-theories. The drawback of this approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing. Instead, this critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "t.

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