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Fauré and French musical aesthetics

Verfasser/in: Carlo Caballero
Verlag: Cambridge ; New York : Cambridge University Press, ©2001.
Serien: Music in the twentieth century.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves  Weiterlesen…
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Gattung/Form: Criticism, interpretation, etc
Name: Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré, Komponist.; Fauré, Gabriel <1845-1924> - Critique et interprétation.; Gabriel Fauré
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Carlo Caballero
ISBN: 0521781078 9780521781077
OCLC-Nummer: 44979710
Beschreibung: xi, 333 pages : illustrations ; 26 cm.
Inhalt: Acknowledgements --
Introduction --
The question of sincerity --
Innovation, tradition --
Originality, influence, and self-renewal --
Homogeneity: meanings, risks, and consequences --
Faure;'s religion: ideas and music --
Faure the elusive --
Notes --
Bibliography --
Index.
Serientitel: Music in the twentieth century.
Verfasserangabe: Carlo Caballero.
Weitere Informationen:

Abstract:

This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Fauré's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valéry. Above all, the book connects abstract values to artistic choices and thus places such works as Fauré's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chimérique, and the chamber music in a new light.

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