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Fauré and French musical aesthetics

Autor: Carlo Caballero
Editorial: Cambridge ; New York : Cambridge University Press, ©2001.
Serie: Music in the twentieth century.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
Persona designada: Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré, Komponist.; Fauré, Gabriel <1845-1924> - Critique et interprétation.; Gabriel Fauré
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Carlo Caballero
ISBN: 0521781078 9780521781077
Número OCLC: 44979710
Descripción: xi, 333 pages : illustrations ; 26 cm.
Contenido: Acknowledgements --
Introduction --
The question of sincerity --
Innovation, tradition --
Originality, influence, and self-renewal --
Homogeneity: meanings, risks, and consequences --
Faure;'s religion: ideas and music --
Faure the elusive --
Notes --
Bibliography --
Index.
Título de la serie: Music in the twentieth century.
Responsabilidad: Carlo Caballero.
Más información:

Resumen:

This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Fauré's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valéry. Above all, the book connects abstract values to artistic choices and thus places such works as Fauré's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chimérique, and the chamber music in a new light.

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