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Fauré and French musical aesthetics

Autore: Carlo Caballero
Editore: Cambridge ; New York : Cambridge University Press, ©2001.
Serie: Music in the twentieth century.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré, Komponist.
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Carlo Caballero
ISBN: 0521781078 9780521781077
Numero OCLC: 44979710
Descrizione: xi, 333 pages : illustrations ; 26 cm.
Contenuti: Acknowledgements --
Introduction --
The question of sincerity --
Innovation, tradition --
Originality, influence, and self-renewal --
Homogeneity: meanings, risks, and consequences --
Faure;'s religion: ideas and music --
Faure the elusive --
Notes --
Bibliography --
Index.
Titolo della serie: Music in the twentieth century.
Responsabilità: Carlo Caballero.
Maggiori informazioni:

Abstract:

This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Fauré's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valéry. Above all, the book connects abstract values to artistic choices and thus places such works as Fauré's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chimérique, and the chamber music in a new light.

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