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Fauré and French musical aesthetics

Autor: Carlo Caballero
Editora: Cambridge ; New York : Cambridge University Press, ©2001.
Séries: Music in the twentieth century.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves  Ler mais...
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Pessoa Denominada: Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré, Komponist.; Gabriel Fauré
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Carlo Caballero
ISBN: 0521781078 9780521781077
Número OCLC: 44979710
Descrição: xi, 333 p. : ill. ; 26 cm.
Conteúdos: Acknowledgements --
Introduction --
The question of sincerity --
Innovation, tradition --
Originality, influence, and self-renewal --
Homogeneity: meanings, risks, and consequences --
Faure;'s religion: ideas and music --
Faure the elusive --
Notes --
Bibliography --
Index.
Título da Série: Music in the twentieth century.
Responsabilidade: Carlo Caballero.
Mais informações:

Resumo:

This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Fauré's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valéry. Above all, the book connects abstract values to artistic choices and thus places such works as Fauré's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chimérique, and the chamber music in a new light.

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