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Fauré and French musical aesthetics

Author: Carlo Caballero
Publisher: Cambridge ; New York : Cambridge University Press, ©2001.
Series: Music in the twentieth century.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves  Read more...
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Details

Genre/Form: Criticism, interpretation, etc
Named Person: Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré; Gabriel Fauré, Komponist.; Fauré, Gabriel <1845-1924> - Critique et interprétation.; Gabriel Fauré
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Carlo Caballero
ISBN: 0521781078 9780521781077
OCLC Number: 44979710
Description: xi, 333 pages : illustrations ; 26 cm.
Contents: Acknowledgements --
Introduction --
The question of sincerity --
Innovation, tradition --
Originality, influence, and self-renewal --
Homogeneity: meanings, risks, and consequences --
Faure;'s religion: ideas and music --
Faure the elusive --
Notes --
Bibliography --
Index.
Series Title: Music in the twentieth century.
Responsibility: Carlo Caballero.
More information:

Abstract:

This wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Fauré's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valéry. Above all, the book connects abstract values to artistic choices and thus places such works as Fauré's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chimérique, and the chamber music in a new light.

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Primary Entity

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