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Fernando Botero : drawings and watercolors

著者: Edward J Sullivan; Fernando Botero
出版商: New York : Rizzoli, 1993.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
The drawings and watercolors handsomely illustrated in this volume provide a comprehensive overview of Fernando Botero's work in this media, which has seldom been reproduced. An introductory essay by Prof. Edward J. Sullivan of New York University, and biographical notes complete the catalogue and provide a framework for these superb but less well-known works by Botero. With consummate technical ability, this  再读一些...
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详细书目

类型/形式: Catalogs
附加的形体格式: Online version:
Sullivan, Edward J.
Fernando Botero.
New York : Rizzoli, 1993
(OCoLC)623569461
提及的人: Fernando Botero; Fernando Botero
文件类型:
所有的著者/提供者: Edward J Sullivan; Fernando Botero
ISBN: 0847816656 9780847816651
OCLC号码: 26721681
注意: Cover title: Botero.
描述: xxiii, 183 pages : illustrations (some color) ; 31 cm
其他题名: Botero
责任: Edward J. Sullivan.

摘要:

The drawings and watercolors handsomely illustrated in this volume provide a comprehensive overview of Fernando Botero's work in this media, which has seldom been reproduced. An introductory essay by Prof. Edward J. Sullivan of New York University, and biographical notes complete the catalogue and provide a framework for these superb but less well-known works by Botero. With consummate technical ability, this important twentieth century artist has revived the use of ancient materials: sanguine, charcoal, sepia pencil, wash and ink. Most of his drawings are executed on paper, sometimes on canvas, with great attention paid to the quality of the support. Botero uses a variety of drawing techniques. Some pieces are preparatory drawings for entire compositions - usually quick sketches of a drawing or sculpture - but the majority are independent works of art that rarely, if ever, repeat a composition the artist has executed in oils. Botero draws with affection. Each stroke of the pen or brush is applied with the knowledge that it will create another small but important part of the rich world populated by sensuous figures that has evolved throughout the years in the imagination of the artist. These drawings compel us to confront Botero's art and personality even more directly than in his paintings. In examining them with care, we are privileged to receive a glimpse into the creative mind and fertile imagination of this master. Looking at his drawings we can almost follow the genesis of the artist's ideas. It is as if we were seated at his side in intimate dialogue with him, watching his hand create the simulacra of his inner imagination.

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