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Film curatorship : archives, museums, and the digital marketplace

Author: Paolo Cherchi UsaiDavid FrancisAlexander HorwathMichael LoebensteinÖsterreichisches Filmmuseum.All authors
Publisher: �Osterreichisches Filmmuseum : SYNEMA--Gesellschaft f�ur Film und Medien ; Le Giornate del Cinema Muto, Vienna : Österreichisches Filmmuseum : SYNEMA--Gesellschaft für Film und Medien ; Pordenone, Italy : Le Giornate del Cinema Muto, ©2008.
Series: FilmmuseumSynemaPublikationen, Bd. 9.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
What are the major issues and challenges film archives, cinémathèques and film museums are bound to face in the Digital Age and at a time when there is an expectation of Access on Demand? Film Curatorship neither offers a scholarly analysis, nor attempts to provide definitive answers to a complex situation involving aesthetic as well as technological, economic and political issues. As a collective text, a montage of  Read more...
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Genre/Form: Aufsatzsammlung
Additional Physical Format: Online version:
Film curatorship.
Vienna : Österreichisches Filmmuseum : SYNEMA--Gesellschaft für Film und Medien ; Pordenone, Italy : Le Giornate del Cinema Muto, ©2008
(OCoLC)649234684
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Paolo Cherchi Usai; David Francis; Alexander Horwath; Michael Loebenstein; Österreichisches Filmmuseum.; SYNEMA-Gesellschaft für Film und Media.
ISBN: 9783901644245 3901644245
OCLC Number: 220011679
Description: 237 pages ; 20 cm.
Contents: 1. The work print. --
2. Prologue: the Vienna Sessions December 31, 2005. --
3. What's the problem? --
4. Film as artefact and museum object. --
5. Presentation and performance. --
6. Curatorial values: two case studies. --
7. Archival control. --
8. Content, platforms and the user. --
9. Film curatorship: the making of a definition. --
10. Film curatorship: a definition.
Series Title: FilmmuseumSynemaPublikationen, Bd. 9.
Responsibility: edited by Paolo Cherchi Usai [and others].

Abstract:

What are the major issues and challenges film archives, cinémathèques and film museums are bound to face in the Digital Age and at a time when there is an expectation of Access on Demand? Film Curatorship neither offers a scholarly analysis, nor attempts to provide definitive answers to a complex situation involving aesthetic as well as technological, economic and political issues. As a collective text, a montage of dialogues, conversations and exchanges between four professionals representing three generations of film archivists and curators, this book calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with. What is curatorship, and what does it imply in the context of film preservation and presentation? Is there a concept of the "film artifact" that transcends the idea of film as "content" or "art" in the information age? The four authors of Film Curatorship have agreed to lay bare their concerns, visions, and strategies in a multi-faceted brainstorming session, aimed at fostering an open, non-dogmatic debate on the relationship of film to other forms of moving image and its presentation and preservation in the 21st century.

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