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Film socialisme

Author: Jean-Marc Stehlé; Agatha Couture; Mathias Domahidy; Jean-Luc Godard; Alain Sarde
Publisher: New York : Kino Lorber, Inc., 2011.
Series: New world cinema: independent features & shorts, 1990-present
Edition/Format:   eVideo : Clipart/images/graphics : FrenchView all editions and formats
Summary:
Legendary director Jean-Luc Godard (Contempt) triumphantly returns to the screen with FILM SOCIALISME, a remarkable and beautiful and challenging (Glenn Kenny, MSN) essay on the state of Mediterranean life, culture and history. It is split into three parts, the first set on a garish cruise ship traveling the Mediterranean Sea (the Costa Concordia). Godard contrasts the rich and conflicted history of the ship's  Read more...
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Genre/Form: Fiction films
Drama
Additional Physical Format: Print version:
Film socialisme.
New York : Kino Lorber, Inc., 2011
(OCoLC)774014884
Print version:
Film socialisme.
New York : Kino Lorber, Inc., 2011 publisher catalog number
K856
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Jean-Marc Stehlé; Agatha Couture; Mathias Domahidy; Jean-Luc Godard; Alain Sarde
OCLC Number: 881524806
Language Note: This edition in French, Spanish, Russian, Italian, English, and German, with English subtitles.
Notes: Title from resource description page (viewed Apr. 9, 2014).
Awards: Won 2010 Los Angeles Film Critics Association Award, Independent/Experimental Film and Video
Description: 1 online resource (102 min.).
Series Title: New world cinema: independent features & shorts, 1990-present
Responsibility: by Jean-Luc Godard.

Abstract:

Legendary director Jean-Luc Godard (Contempt) triumphantly returns to the screen with FILM SOCIALISME, a remarkable and beautiful and challenging (Glenn Kenny, MSN) essay on the state of Mediterranean life, culture and history. It is split into three parts, the first set on a garish cruise ship traveling the Mediterranean Sea (the Costa Concordia). Godard contrasts the rich and conflicted history of the ship's ancient itinerary with the ostentatious gluttony of its well-to-do passengers. The second part descends on a struggling rural French rest stop, whose owners, seeking to change their fate, are running for office. It is their discontented children, though, who point towards an alternate future. Finally, the film closes in a gorgeous, aggrieved montage that acts as an idiosyncratic history of the past and future of the region. Anticipating the Greek debt crisis and the Arab spring, FILM SOCIALISME is both timeless and timely (J. Hoberman, Village Voice), shot in shimmeringly beautiful HD, but also hurtling headlong into the socio-political crises of our times.

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