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A film unfinished

Autor: Yael HersonskiItay Ken TorNoemi SchoryHana AvrutzkyLuba GewisserTodos autores
Editorial: [New York City] : Oscilloscope Laboratories, [2011]
Edición/Formato:   Video DVD : Sistema de difusión NTSC en color : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
At the end of WWII, 60 minutes of raw film in an East German archive was discovered. Shot by the Nazis in Warsaw in May of 1942, the film became a resource for historians seeking an authentic record of the Warsaw Ghetto. The later discovery of a long-missing reel, including multiple takes and cameramen staging scenes, complicated earlier readings of the footage. Presented is the raw footage in its entirety, falsely
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Detalles

Género/Forma: Documentary films
Historical films
Unfinished films
Unedited footage
Feature films
Short films
Nonfiction films
Video recordings for the hearing impaired
Motion pictures
German language films
History
Personal narratives
Personal narratives, Jewish
Tipo de material: Grabación de video
Tipo de documento: Material visual
Todos autores / colaboradores: Yael Hersonski; Itay Ken Tor; Noemi Schory; Hana Avrutzky; Luba Gewisser; Dawid Jerzy Płonski; ʻAlizah Ṿiṭis-Shomron; Shula Zeder; Rona Kenan; Joelle Alexis; Itai Neeman; Yishai Adar; Lin Baru; Adrian Wood; Michael Berenbaum; Billy Wilder; Annette Insdorf; Belfilms (Firm); Mitteldeutscher Rundfunk.; Südwestfunk (Baden-Baden, Germany); Yes Doco (Television channel : Israel); Arte (Firm); Oscilloscope Laboratories (Firm)
Número OCLC: 691379936
Nota del idioma: In English, German, Hebrew, Polish, and Yiddish ; optional English subtitles; subtitled in English for the deaf and hard of hearing [SDH].
Notas: Study guide features an essay by author and film historian, Annette Insdorf.
Originally produced in 2010.
Extra features: Interview with author and film researcher Adrian Wood (ca. 15 min.); Scholar Michael Berenbaum on A Film Unfinished (ca. 4 min.); Death Mills (1945, 22 min.; directed by Billy Wilder; new telecine made from archival 16mm elements); Study guide in pdf format [DVD-ROM feature].
Créditos: Editor, Joëlle Alexis ; director of photography, Itai Neeman ; music, Ishai Adar ; art director, Lin Baru.
Artista(s) : Witnesses, Hanna Avrutzki, Luba Gewisser, Jurek (David) Plonski, Aliza Vitis-Shomron, Shula Zeder ; narration read by Rona Kenan.
Premios: Winner, World cinema doc editing award, Sundance Film Festival ; Winner, Best International Feature, Hot Docs Film Festival ; Winner, Documentary screenplay award, AFI/Silverdocs Film Festival.
Público objetivo Not rated.
Descripción: 1 videodisc (90 min.) : sd., col. and b&w ; 4 3/4 in.
Detalles: DVD; NTSC, Region 0 ; 1.78:1 aspect ratio ; stereo.; Access to Study Guide requires computer with DVD-ROM drive and Adobe Reader software.
Contenido: Lost history --
Jewish Council --
"I might see my mother" --
Flowers, furniture, teapot --
Auerswald's reports --
Willy Wist, cameraman --
Garbage and lipstick --
Waiting to die --
Smuggling --
Underground Jewish archive --
Surprising discovery --
Dinner and theater --
"A Jew film" --
Death --
Ghetto in color --
"Today I can cry" --
Faces.
Otros títulos: Death mills.
Responsabilidad: a production of Belfilms ; coproduced with Mittle Deutsche Rundfunk (MDR), Südwestfunk (SWR), [and] Yes.docu ; in cooperation with Arte ; a film by Yael Hersonski ; producers, Itay Ken-Tor & Noemi Schory ; written and directed by Yael Hersonski.

Resumen:

At the end of WWII, 60 minutes of raw film in an East German archive was discovered. Shot by the Nazis in Warsaw in May of 1942, the film became a resource for historians seeking an authentic record of the Warsaw Ghetto. The later discovery of a long-missing reel, including multiple takes and cameramen staging scenes, complicated earlier readings of the footage. Presented is the raw footage in its entirety, falsely showing the 'good life' of Jewish urbanites. Included is an interview, and more.

Death Mills: "Directed by...Billy Wilder for the U.S. War Department in 1945, [this film] was originally intended for screening in occupied Germany and Austria and featured a German language soundtrack...[T]he first documentary to show what the Allies found when they liberated the Nazi extermination camps: the survivors, the conditions, and the evidence of mass murder." -- Onscreen menu.

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Datos enlazados


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