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Filming politics : communism and the portrayal of the working class at the National Film Board of Canada, 1939-46

著者: Malek Khouri
出版: Calgary, Alberta, Canada : University of Calgary Press, ©2007.
シリーズ: Cinemas off centre series, 1.
エディション/フォーマット:   book_printbook : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Malek Khouri examines carefully a period at the National Film Board when its creative output and guiding principles reflected less the cultural mainstream, identifying instead more with the surging wave of International Communism. Beginning with an analysis of the political, cultural, and social milieu under which the institution was founded, Khouri highlights how these dynamics impacted the creation of the NFB. He  続きを読む
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その他のフォーマット: Online version:
Khouri, Malek, 1953-
Filming politics.
Calgary, Alberta, Canada : University of Calgary Press, ©2007
(OCoLC)608082392
関連の人物: John Grierson; Grierson, John <1898-1972>
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Malek Khouri
ISBN: 9781552381991 1552381994
OCLC No.: 82772022
物理形態: ix, 278 pages ; 23 cm.
コンテンツ: Social class and the NFB's early films in Canadian Film studies --
Canadian film culture before the NFB --
The development of a working-class counter-hegemonic movement: A historical survey --
The establishment of the NFB: a political and institutional overview --
Out of the depression and into the war: NFB films between 1939 and 1941 --
Workers and the politics of fighting fascism: NFB films between 1942 and 1945 --
Workers, democracy and social welfare in NFB films between 1942 and 1945 --
Stylisitc trends within the discourse of NFB war films --
The NFB in a moment of transition: Workers in NFB films between 1945 and 1946.
シリーズタイトル: Cinemas off centre series, 1.
責任者: Malek Khouri.
その他の情報:

概要:

The National Film Board of Canada (NFB) has a storied history as the progenitor & stalwart defender of Canadian cinematic culture. This title examines a period at the National Film Board when its  続きを読む

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