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Films and dreams : Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai

Author: Thorsten Botz-Bornstein
Publisher: Lanham, MD : Lexington Books, 2008.
Edition/Format:   eBook : Document : English : 1st pbk. edView all editions and formats
Summary:
Films and Dreams considers the essential link between films and the world of dreams. To discuss dream theory in the context of film studies means moving from the original, clinical context within which dream theory was originally developed to an environment established by primarily aesthetic concerns. Botz-Bornstein deals with dreams as "self-sufficient" phenomena that are interesting not because of their contents  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Botz-Bornstein, Thorsten.
Films and dreams.
Lanham, MD : Lexington Books, 2008
(OCoLC)244062857
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Thorsten Botz-Bornstein
ISBN: 9780739131435 0739131435
OCLC Number: 335189254
Description: 1 online resource (xi, 163 pages)
Contents: Acknowledgments; Introduction: Dreamtense and the Art of Film; 1 From Formalist Ostranenie to Tarkovsky's "Logic of Dreams"; 2 Space and Dream: Heidegger's, Tarkovsky's, and Caspar David Friedrich's Landscapes; 3 On the Blurring of Lines: Alexandr Sokurov; 4 Ingmar Bergman and Dream after Freud; 5 A Short Note on Nordic Culture and Dreams; 6 From "Ethno-Dream'' to Hollywood: Schnitzler's Traumnovelle, Kubrick's Eyes Wide Shut, and the Problem of "Deterritorialization"; 7 Wong Kar-wai and the Culture of the Kawaii.
Responsibility: Thorsten Botz-Bornstein.

Abstract:

Films and Dreams considers the essential link between films and the world of dreams. To discuss dream theory in the context of film studies means moving from the original, clinical context within which dream theory was originally developed to an environment established by primarily aesthetic concerns. Botz-Bornstein deals with dreams as "self-sufficient" phenomena that are interesting not because of their contents but because of the "dreamtense" through which they deploy their being. A diverse selection of films are examined in this light: Tarkovsky's anti-realism exploring the domain of the i.

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