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The films of Woody Allen

Auteur : Sam B Girgus
Éditeur : Cambridge ; New York : Cambridge University Press, 1993.
Collection : Cambridge film classics.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
The Films of Woody Allen is the first full-length critical study to analyze in depth the films that make Allen a serious filmmaker and artist. Sam Girgus argues that Allen is on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. A student and admirer of the classic Hollywood cinema,
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Détails

Personne nommée : Woody Allen; Woody Allen; Woody Allen; Woody Allen; Woody Allen
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Sam B Girgus
ISBN : 0521380952 9780521380959 0521389992 9780521389990
Numéro OCLC : 26159028
Notes : Filmography: p. 131-142.
Description : xii, 146 p. : ill. ; 24 cm.
Contenu : Introduction to the Second Edition--The Prisoner of Aura: The Lost World of Woody Allen --
Reconstruction and Revision in Woody Allen's Films --
Desire and Narrativity in Annie Hall --
Manhattan --
The Purple Rose of Cairo--Poststructural Anxiety Comes to New Jersey --
Hannah and Her Sisters --
The Eyes of God --
Conclusion to the Second Edition--Allen's Fall: Mind, Morals, and Meaning in Deconstructing Harry.
Titre de collection : Cambridge film classics.
Responsabilité : Sam B. Girgus.
Plus d’informations :

Résumé :

The Films of Woody Allen is the first full-length critical study to analyze in depth the films that make Allen a serious filmmaker and artist. Sam Girgus argues that Allen is on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. A student and admirer of the classic Hollywood cinema, Allen combines this appreciation for American directors with a developed sensitivity to experimental European directors such as Fellini, De Sica, and Bergman. Probably the most widely recognized aspect of Allen's works is his uncanny integration of the comedic and the serious in visually inventive films that experiment with narrative, plot, and psychology.

Beginning with Play it Again, Sam, the films of Woody Allen offer a perceptive vision of contemporary life and the human condition. The increasing complexity of his works as a director and writer over two decades has paralleled an equally complex process of intellectual and moral maturity. Allen's films reveal a decentered world of displaced and dislocated characters who question their ability to find meaning in their lives. Allen's achievement as an artist has been to develop a style of technical and artistic complexity to sustain his vision.

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