passa ai contenuti
The films of Woody Allen Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

The films of Woody Allen

Autore: Sam B Girgus
Editore: Cambridge ; New York : Cambridge University Press, 1993.
Serie: Cambridge film classics.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
The Films of Woody Allen is the first full-length critical study to analyze in depth the films that make Allen a serious filmmaker and artist. Sam Girgus argues that Allen is on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. A student and admirer of the classic Hollywood cinema,
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Persona incaricata: Woody Allen; Woody Allen; Woody Allen; Woody Allen; Woody Allen
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Sam B Girgus
ISBN: 0521380952 9780521380959 0521389992 9780521389990
Numero OCLC: 26159028
Note: Filmography: p. 131-142.
Descrizione: xii, 146 p. : ill. ; 24 cm.
Contenuti: Introduction to the Second Edition--The Prisoner of Aura: The Lost World of Woody Allen --
Reconstruction and Revision in Woody Allen's Films --
Desire and Narrativity in Annie Hall --
Manhattan --
The Purple Rose of Cairo--Poststructural Anxiety Comes to New Jersey --
Hannah and Her Sisters --
The Eyes of God --
Conclusion to the Second Edition--Allen's Fall: Mind, Morals, and Meaning in Deconstructing Harry.
Titolo della serie: Cambridge film classics.
Responsabilità: Sam B. Girgus.
Maggiori informazioni:

Abstract:

The Films of Woody Allen is the first full-length critical study to analyze in depth the films that make Allen a serious filmmaker and artist. Sam Girgus argues that Allen is on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. A student and admirer of the classic Hollywood cinema, Allen combines this appreciation for American directors with a developed sensitivity to experimental European directors such as Fellini, De Sica, and Bergman. Probably the most widely recognized aspect of Allen's works is his uncanny integration of the comedic and the serious in visually inventive films that experiment with narrative, plot, and psychology.

Beginning with Play it Again, Sam, the films of Woody Allen offer a perceptive vision of contemporary life and the human condition. The increasing complexity of his works as a director and writer over two decades has paralleled an equally complex process of intellectual and moral maturity. Allen's films reveal a decentered world of displaced and dislocated characters who question their ability to find meaning in their lives. Allen's achievement as an artist has been to develop a style of technical and artistic complexity to sustain his vision.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/26159028>
library:oclcnum"26159028"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/26159028>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:datePublished"1993"
schema:description"The Films of Woody Allen is the first full-length critical study to analyze in depth the films that make Allen a serious filmmaker and artist. Sam Girgus argues that Allen is on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. A student and admirer of the classic Hollywood cinema, Allen combines this appreciation for American directors with a developed sensitivity to experimental European directors such as Fellini, De Sica, and Bergman. Probably the most widely recognized aspect of Allen's works is his uncanny integration of the comedic and the serious in visually inventive films that experiment with narrative, plot, and psychology."
schema:exampleOfWork<http://worldcat.org/entity/work/id/1024658>
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"The films of Woody Allen"
schema:numberOfPages"146"
schema:publisher
rdf:typeschema:Organization
schema:name"Cambridge University Press"
schema:workExample
schema:workExample
schema:workExample
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.