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Fitzgerald-Wilson-Hemingway : language and experience

Autor: Ronald Berman
Editorial: Tuscaloosa : University of Alabama Press, ©2003.
Edición/Formato:   Libro : Publicación gubernamental estatal o provincial : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception, and reality in the "age of jazz."" "Fitzgerald is often thought of as a romantic, but Berman shows that Fitzgerald actually sought to subvert the romantic models he studied so assiduously. Hemingway, widely  Leer más
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Formato físico adicional: Online version:
Berman, Ronald.
Fitzgerald-Wilson-Hemingway.
Tuscaloosa : University of Alabama Press, c2003
(OCoLC)606955602
Persona designada: F Scott Fitzgerald; Ernest Hemingway; F Scott Fitzgerald; Edmund Wilson; Ernest Hemingway; Francis Scott Fitzgerald; Edmund Wilson, Schriftsteller.; Ernest Hemingway
Tipo de material: Publicación gubernamental, Publicación gubernamental estatal o provincial, Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Ronald Berman
ISBN: 0817312781 9780817312787
Número OCLC: 50643741
Descripción: 123 p. ; 24 cm.
Contenido: The last romantic critic --
America in Fitzgerald --
Edmund Wilson and Alfred North Whitehead --
Reality's thickness --
Hemingway's plain language --
Hemingway's limits.
Responsabilidad: Ronald Berman.
Más información:

Resumen:

In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience,  Leer más

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"What is most startling to me is that after so much has been written on Fitzgerald and especially Hemingway, Berman can discover so many new ideas which trace their origins to philosophy and social Leer más

 
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Datos enlazados


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schema:reviewBody""In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception, and reality in the "age of jazz."" "Fitzgerald is often thought of as a romantic, but Berman shows that Fitzgerald actually sought to subvert the romantic models he studied so assiduously. Hemingway, widely viewed as a stylist who captured experience by simplifying language, is revealed as consciously demonstrating reality's resistance to language. Between these two renowned writers stands Wilson, who was critically influenced by Alfred North Whitehead, as well as Dewey, James, Santayana, and Freud. By patiently mapping the connectedness of these philosophers, historians, literary critics, and writers, Berman opens a new gateway into the era."--Jacket."
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