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Flann O'Brien : a portrait of the artist as a young post-modernist

著者: Keith Hopper
出版: Cork, Ireland : Cork University Press, 1995.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Flann O'Brien's The Third Policeman was written in 1940 but his publishers rejected it for being 'too fantastic'. Since its posthumous release in 1967 it has achieved cult status, although critical appraisal of his work has focused almost exclusively on At Swim-Two-Birds (1939). In this first novel O'Brien had confronted two towering traditions: the jaded legacy of Yeats' Celtic Twilight and the problematic  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
関連の人物: Flann O'Brien; Flann O'Brien; Flann O'Brien
ドキュメントの種類: 図書
すべての著者/寄与者: Keith Hopper
ISBN: 1859180418 9781859180419 1859180426 9781859180426
OCLC No.: 33189239
物理形態: 292 pages ; 23 cm
コンテンツ: Beyond the Celtic twilight zone: shamanism, post-modernism and formalism --
The two towers: the filty modern tide meets the Celtic toilet --
'Is it a bicycle?': censorship, sex and the metonymic code --
Character building: the role of the self-conscious narrator --
This is not a pipe: frame-breaking strategies --
Paradise lost, paradise regained: Flann O'Brien and the dialogic imagination --
Relative worlds: Kit Marlowe meets Philip Marlowe in the fourth dimension.
その他のタイトル: Portrait of the artist as a young post-modernist
責任者: Keith Hopper.

概要:

A major contribution to the study of post-modernist literature in contemporary Ireland  続きを読む

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schema:reviewBody""Flann O'Brien's The Third Policeman was written in 1940 but his publishers rejected it for being 'too fantastic'. Since its posthumous release in 1967 it has achieved cult status, although critical appraisal of his work has focused almost exclusively on At Swim-Two-Birds (1939). In this first novel O'Brien had confronted two towering traditions: the jaded legacy of Yeats' Celtic Twilight and the problematic complexities of Joyce's modernism. With The Third Policeman O'Brien forges a unique synthesis between these two traditions, and the paraliterary path he pursues marks the historical transition from modernism to post-modernism." "This formalist study is a tribal retrieval of O'Brien's work which reconfigures him as a powerful voice within a dynamic and fertile landscape; indisputably Irish yet distinctly post-modern. It identifies The Third Policeman as a subversive intellectual satire, in the cutting-edge tradition of Swift and Sterne, and situates it as one of the earliest - and most exciting - examples of post-modernist fiction."--Jacket."
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