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Flann O'Brien : a portrait of the artist as a young post-modernist

Auteur: Keith Hopper
Uitgever: Cork, Ireland : Cork University Press, 1995.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"Flann O'Brien's The Third Policeman was written in 1940 but his publishers rejected it for being 'too fantastic'. Since its posthumous release in 1967 it has achieved cult status, although critical appraisal of his work has focused almost exclusively on At Swim-Two-Birds (1939). In this first novel O'Brien had confronted two towering traditions: the jaded legacy of Yeats' Celtic Twilight and the problematic  Meer lezen...
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Details

Genoemd persoon: Flann O'Brien; Flann O'Brien
Soort document: Boek
Alle auteurs / medewerkers: Keith Hopper
ISBN: 1859180418 9781859180419 1859180426 9781859180426
OCLC-nummer: 33189239
Beschrijving: 292 p. ; 23 cm.
Inhoud: Beyond the Celtic twilight zone: shamanism, post-modernism and formalism --
The two towers: the filty modern tide meets the Celtic toilet --
'Is it a bicycle?': censorship, sex and the metonymic code --
Character building: the role of the self-conscious narrator --
This is not a pipe: frame-breaking strategies --
Paradise lost, paradise regained: Flann O'Brien and the dialogic imagination --
Relative worlds: Kit Marlowe meets Philip Marlowe in the fourth dimension.
Andere titels: Portrait of the artist as a young post-modernist
Verantwoordelijkheid: Keith Hopper.

Fragment:

A major contribution to the study of post-modernist literature in contemporary Ireland  Meer lezen...

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Gekoppelde data


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schema:reviewBody""Flann O'Brien's The Third Policeman was written in 1940 but his publishers rejected it for being 'too fantastic'. Since its posthumous release in 1967 it has achieved cult status, although critical appraisal of his work has focused almost exclusively on At Swim-Two-Birds (1939). In this first novel O'Brien had confronted two towering traditions: the jaded legacy of Yeats' Celtic Twilight and the problematic complexities of Joyce's modernism. With The Third Policeman O'Brien forges a unique synthesis between these two traditions, and the paraliterary path he pursues marks the historical transition from modernism to post-modernism." "This formalist study is a tribal retrieval of O'Brien's work which reconfigures him as a powerful voice within a dynamic and fertile landscape; indisputably Irish yet distinctly post-modern. It identifies The Third Policeman as a subversive intellectual satire, in the cutting-edge tradition of Swift and Sterne, and situates it as one of the earliest - and most exciting - examples of post-modernist fiction."--Jacket."
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