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Forgetting the art world

著者: Pamela M Lee
出版商: Cambridge, MA : The MIT Press, [2012] ©2012
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
It may be time to forget the art world - or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with  再读一些...
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所有的著者/提供者: Pamela M Lee
ISBN: 9780262017732 0262017733
OCLC号码: 769763940
注意: Includes index.
描述: xiii, 229 pages : illustrations ; 24 cm
内容: Introduction: Forgetting the art world --
The world is flat/the end of the world : Takashi Murakami and the aesthetics of post-Fordism --
Gursky's ether --
Perpetual revolution : Thomas Hirschhorn's sense of the world --
On pseudo-collectivism ; or, How to be a collective in the age of the consumer sovereign --
Conclusion: Numbers.
责任: Pamela M. Lee.

摘要:

It may be time to forget the art world - or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with images of movement and migration, borders and multitudes, but Lee looks beyond iconography to view globalization as a world process. Rather than think about the "global art world" as a socioeconomic phenomenon, or in terms of the imagery it stages and sponsors, Lee considers "the work of art's world" as a medium through which globalization takes place. She argues that the work of art is itself both object and agent of globalization. Lee explores the ways that art actualizes, iterates, or enables the processes of globalization, offering close readings of works by artists who have come to prominence in the last two decades. She examines the "just in time" managerial ethos of Takahashi Murakami; the production of ethereal spaces in Andreas Gursky's images of contemporary markets and manufacture; the logic of immanent cause dramatized in Thomas Hirschhorn's mixed-media displays; and the "pseudo-collectivism" in the contemporary practice of the Atlas Group, the Raqs Media Collective, and others. To speak of "the work of art's world," Lee says, is to point to both the work of art's mattering and its materialization, to understand the activity performed by the object as utterly continuous with the world it at once inhabits and creates.

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"Pamela Lee makes a major contribution to our understanding of art's globalization through her brilliant exploration of 'worlds' as a medium and 'worlding' as a process by which unruly networks of 再读一些...

 
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