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Las formas del cubismo : escultura, 1909-1919 : Museo Nacional Centro de Arte Reina Sofía, 12 de febrero-22 de abril de 2002 Preview this item
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Las formas del cubismo : escultura, 1909-1919 : Museo Nacional Centro de Arte Reina Sofía, 12 de febrero-22 de abril de 2002

Author: J F Yvars; Lucía Ybarra; Macarena Mora; Museo Nacional Centro de Arte Reina Sofía.; Salvador Dali Museum.
Publisher: Madrid : El Museo, 2002.
Edition/Format:   Print book : Biography : SpanishView all editions and formats
Summary:
"Between 1909 and 1918 figurative sculpture becomes a constructive syntax, which denies perspective and a unique point of view. Cubism, characterised by a deep reflection on the values of flat plane and volumes, makes the leap into three-dimensional objects. Pablo Picasso's 1909 piece, Cabeza de mujer (Fernande) is considered the first Cubist sculpture, and introduces a new style of work that many other artists
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Details

Genre/Form: Exhibition catalogs
Exhibitions
Material Type: Biography, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: J F Yvars; Lucía Ybarra; Macarena Mora; Museo Nacional Centro de Arte Reina Sofía.; Salvador Dali Museum.
ISBN: 848968166X 9788489681668 8480261560 9788480261562
OCLC Number: 51080840
Language Note: Spanish and English.
Notes: Exhibition also held at the Salvador Dali Museum, St. Petersburg, Florida, May 10-Sept. 9, 2002.
Description: 308 pages : illustrations ; 30 cm
Responsibility: [comisariado, José Francisco Yvars ; catálogo coordinación, Lucía Ybarra, Macarena Mora].

Abstract:

"Between 1909 and 1918 figurative sculpture becomes a constructive syntax, which denies perspective and a unique point of view. Cubism, characterised by a deep reflection on the values of flat plane and volumes, makes the leap into three-dimensional objects. Pablo Picasso's 1909 piece, Cabeza de mujer (Fernande) is considered the first Cubist sculpture, and introduces a new style of work that many other artists follow. Its appearance is due to the spirit of a new order, which was already present in painting. For Picasso, this sculpture is a further innovation, in addition to those from his early production. However, other artists develop their work after this piece, as did Raymond Duchamp-Villon, Alexander Archipenko, Henri Laurens, Jacques Lipchitz and Umberto Boccioni, which gives way to new sculptural forms in cubist patterns ..."

-Excerpt from exhibition website (see link below).

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Primary Entity

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