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Fra Angelico

Auteur: Laurence B Kanter; Pia Palladino; Angelico, fra; Metropolitan Museum of Art (New York, N.Y.)
Uitgever: New York : Metropolitan Museum of Art ; New Haven : Yale University Press, ©2005.
Editie/Formaat:   book_printbook : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"In commemoration of the five hundred-and-fiftieth anniversary of the death of Fra Angelico (about 1395-1455), one of the foremost artists of the Italian Renaissance, The Metropolitan Museum of Art set out to reexamine his career and to establish a more historically accurate profile of the innovative, extraordinarily gifted "angelic friar, ' in order to dispel the myths and legends that have eclipsed the details of  Meer lezen...
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Details

Genre/Vorm: Exhibition catalogs
Exhibitions
Expositions
Aanvullende fysieke materiaalsoort: Online version:
Kanter, Laurence B.
Fra Angelico.
New York : The Metropolitan Museum of Art ; New Haven : Yale University Press, ©2005
(OCoLC)629821253
Genoemd persoon: Angelico, fra; Angelico, fra; Angelico, fra
Genre: Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Laurence B Kanter; Pia Palladino; Angelico, fra; Metropolitan Museum of Art (New York, N.Y.)
ISBN: 1588391744 9781588391742 1588391752 9781588391759 0300111401 9780300111408
OCLC-nummer: 61253922
Opmerkingen: "This volume has been published in conjunction with the exhibition "Fra Angelico" held at The Metropolitan Museum of Art, New York, October 26, 2005-January 29, 2006."
Beschrijving: xii, 336 pages : illustrations (some color) ; 29 cm
Inhoud: Fra Angelico: the early works / Laurence Kanter --
Pilgrims and desert fathers: Dominican spirituality and the holy land / Pia Palladino --A velvet revolution: Fra Angelico's high altarpiece for San Domenico in Fiesole / Anneke de Vries --
Fra Angelico: a decade of transition (1422-32) / Laurence Kanter --
Fra Angelico: artistic maturity and late career (1435-55) / Laurence Kanter --
The frescoes by Fra Angelico at San Marco / Magnolia Scudieri --
Fra Angelico: a Florentine painter in "Roma Felix" / Carl Brandon Strehlke --
Battista Di Biago Sanguigni and Zanobi Strozzi / Laurence Kanter --
Francesco Di Stefano, called Pesellino / Laurence Kanter --
Giovanni Di Consalvo and the master of the Sherman Predella / Laurence Kanter --
Benozzo Gozzoli (Benozzo Di Lese Di Sandro) / Pia Palladino.
Verantwoordelijkheid: by Laurence Kanter and Pia Palladino ; with contributions by Magnolia Scudieri [and others].
Meer informatie:

Fragment:

"In commemoration of the five hundred-and-fiftieth anniversary of the death of Fra Angelico (about 1395-1455), one of the foremost artists of the Italian Renaissance, The Metropolitan Museum of Art set out to reexamine his career and to establish a more historically accurate profile of the innovative, extraordinarily gifted "angelic friar, ' in order to dispel the myths and legends that have eclipsed the details of his life. New documentary research and standards for attributions, developed over the last three decades, provided the impetus for this reappraisal - only the second major exhibition of Fra Angelico's art ever held, and the first since 1955. Comprising about seventy-five paintings, drawings, and manuscript illuminations ascribed to Angelico and spanning the period from 1410 to 1455, as well as about forty works by his collaborators, this presentation includes several newly discovered paintings and a number of new proposals for reconstructions of important, dispersed altarpieces. Additionally, drawings by the master are analyzed in terms of their original function and in the context of discussion of the artist's workshop, its identifiable members, and their respective contribution to its artistic output." "In essays and related entries, the first seven sections of the catalogue follow the course of Angelico's career. The study opens with his earliest, largely undocumented, activity as a painter (in the 1410s), before he joined the Dominican order, emphasizing those works that reflect his artistic, intellectual, and spiritual milieu. In dealing with the paintings of the 1420s, many of which will be unfamiliar to the general public and are the subject of widespread disagreement among scholars regarding dating and attribution, the authors attempt to establish their chronology within the master's oeuvre."--Jacket.

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